[Book Review] Castle Heights: 18 Storeys, 18 Stories
Castle Heights, released on June 3 by Red Cape Publishing, was born of an idea between friends: Tony Sands and filmmaker MJ Dixon, with a singular goal to entertain and scare during one of the darkest periods in our global history. To that end, Castle Heights is undoubtedly successful, sure to entertain and inspire writers and readers of indie horror.
The premise, on the surface, is simple: One tower block with 18 floors, and 18 writers to capture the events of a terrible night during which the strange and vicious come out to play with the ill-fated residents. What makes this anthology special is the unique way each story wraps around the unifying events of that night (one of which is a television showing of Dixon’s own real-life film, 2019’s Mask of Thorn).
We enter Castle Heights with beleaguered Detective Chetwyn investigating the case of a mummified corpse found on the first floor. Through a series of journal entries by the deceased, he is introduced — and the reader with him — to the tower block’s horrifying world.
In the stories that follow, we encounter demons, monsters, a sadistic child, unexplained phenomena, hungry walls, and parables of greed and guilt.
A few of the tales have remained with me days after having read them.
In Bob Pipe’s Bloody Nightmare In Room 19, we encounter a disabled body-snatching veteran on a mission that transcends human understanding of time. In Teige Reid’s A Guilty Feeding on the 4th Floor, a Soldier of Fortune is hired to take out a man who just won’t die. And in Floor 15: Fear Thy Neighbour, Matthew Davies takes on xenophobia and racism as paralleled by fear of contagion, an appropriate story that reflects the very real issues of our time.
Not every story within the anthology is as strong as those mentioned above, and some are just as strong, if not stronger. For every occasional bout of weaker writing, for every story that reads as if it couldn’t choose a clear path, there are five truly haunting stories that follow. The beauty of Castle Heights is how cohesive it is, marrying 18 different writers, styles, and visions in one book that ultimately works and achieves its goal.
Castle Heights is available in e-book and paperback formats on Amazon, and can be read for free by Kindle Unlimited subscribers.
I invite you to enter the world of Castle Heights — Just watch out for that damned parrot.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
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