[Book Review] Mums and Sons (2022)
Horror films often have so much to show and tell us, it can be impossible to catch everything in a movie in just one viewing. They need time to settle into your mind, and allow you to reflect on their themes. This is especially true if the topics are poignant and personal. Coming soon is a heartfelt analysis of some of the most intimate topics in horror, dissected and displayed for your consideration.
In her debut publication, Mums and Sons (2022), Ghouls Magazine’s own Rebecca McCallum explores mother and son relationships, and how those relationships are affected by grief, secrets, and repression. McCallum uses three horror films as reference points for her analysis: The Babadook (2014), Hereditary (2018), and Psycho (1960), to explore various stages of life in a mother/son relationship. All three films have been influential and impactful, both to individual viewers and the horror genre as a whole, and as such, each film has been analyzed before. However, McCallum takes this analysis to a new level, putting these three films side-by-side, and comparing and contrasting their perspective on a specific type of relationship. It is impressive and remarkable that she has new things to say about films that have been picked apart by audiences for years (especially in the case of Psycho, over sixty years!). Even for die-hard genre fans, McCallum offers a fresh take.
The attention to detail in Mums and Sons is astonishing. McCallum describes scenes in each film that jog the reader’s memory and help us recall the symbolism and design. She threads the metaphorical needle by giving the reader enough detail to bring us along on her analytical journey, without slowing down the reader by weaving in plot details. After reading her book, I want to rewatch each of the three films referenced, and look for all the supporting evidence McCallum provides. It’s thrilling, as a film fan, to rewatch whilst looking for aspects you might have missed previously, and Mums and Sons offers so much to look for.
The text feels personal in a welcoming way, offering something for anyone to relate to. I am not a mother nor a son, but I am a member of a family, and I have experienced loss and grief, and so the analysis feels relatable. The seven key points McCallum uses to shape her thematic exploration provide an abundance of perspectives on the mother/son dynamics in the key works referenced. McCallum has achieved writing a book that will pertain to many readers, whether they are genre fans or not.
Horror is an excellent space to explore themes of grief, loss, and family relationships. The three films chosen by McCallum are excellent examples of this, and she is an expert horror analyst. Her words on these impactful films make for an exceptional read - you do not want to miss!
Pre order of Mums + Sons available now through Plastic Brain Press! Grab your copy now and orders are being sent out from 6th May 2022
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
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