[Film Review] Sympathy for the Devil (2023)
If you know me at all, you know that I love, as many people do, the work of Nic Cage. Live by the Cage, die by the Cage. So, when the opportunity to review this came up, I jumped at it.
[Film Review] V/H/S/85 (2023)
When V/H/S first hit our screens in 2012, nobody could have foreseen that 11 years later we’d be on our sixth instalment (excluding the two spinoffs) of the series.
[Film Review] Kill Your Lover (2023)
When someone is in a toxic relationship, it can affect more than just their heart and mind. Their bodies can weaken or change due to the continued stress and unhappiness that comes from the toxicity.
[Film Review] Shaky Shivers (2022)
If you can’t count on your best friend to check your teeth and hands and stand vigil with you all night to make sure you don’t wolf out, who can you count on? And so begins our story on anything but an ordinary night in 1993…
[Film Review] Elevator Game (2023)
The best thing about urban legends is the delicious thrill of the forbidden. Don’t say “Bloody Mary” in the mirror three times in a dark room unless you’re brave enough to summon her. Don’t flash your headlights at a car unless you want to have them drive you to your death.
[Film Review] A Wounded Fawn (2022)
A Wounded Fawn (Travis Stevens, 2022) celebrates both art history and female rage in this surreal take on the slasher genre.
[Film Review] Perpetrator (2023)
Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
[Film Review] Mercy Falls (2023)
Filmed on location in Scotland, Ryan Hendrick's new thriller Mercy Falls (2023) uses soaring views of the Scottish Highlands to show that the natural world can either provide shelter or be used as a demented playground for people to hurt each other.
[Film Review] Somewhere Quiet (2023)
After watching the psychological thriller Somewhere Quiet (2023), viewers will need hours (or days) to decompress.
[Film Review] It Lives Inside (2023)
It Lives Inside, written and directed by Bishal Dutta, won the 2023 Midnighters Audience Award Winner at SXSW – and with good reason.
[Film Review] Homebodies (1974)
Writer/director Larry Yust challenges these stereotypes in his 1974 comedy horror Homebodies in which a group of elderly neighbours are on the verge of being evicted from their homes.
[Film Review] The Nun 2 (2023)
This year marks ten years since the release of James Wan’s The Conjuring, the story of real life paranormal investigators/well-meaning kooks/dangerous frauds (delete as applicable) Ed and Lorraine Warren.
[Film Review] The Puppet Asylum (2023)
It would be incredibly unfair to review the documentary Otto Baxter: Not a F***ing Horror Story without also looking at the short horror created by the titular man himself, The Puppet Asylum.
[Film Review] FrightFest: Farang (2023)
Farang (2023) is the latest feature film by French director Xavier Gens, and it had its UK premier at FrightFest, debuting on Saturday 26th August in the main screen.
[Film Review] FrightFest: The Ghost Station (2023)
Based on the legendary Korean webtoon Oksu Station Ghost by author Horang, Jeong Yong-ki’s The Ghost Station made its UK premiere at FrightFest to a crowd keen for some fresh and terrifying Asian horror.
[Film Review] Children of the Corn (2020)
Movie adaptations have followed Stephen King’s work since the very beginning of his illustrious career, with Brian de Palma’s Carrie being released two years after the publication of the book of the same name, King’s first.
[Film Review] Herd (2023)
This film keeps audiences guessing where it will lead them next, with subtle and nuanced changes in the narrative that will surprise even the most zombie-literate to a degree.
[Film Review] We Might Hurt Each Other (2022)
The Lithuanian slasher film We Might Hurt Each Other (also known as Pensive) deftly combines folklore, horror and the navigation of a high school social system to create a thrilling and thought-provoking movie.
[Film Review] FrightFest: New Life (2023)
John Rosman’s New Life takes this distillation of the subgenre to create an impressive, emotionally-charged debut that weaves together veins of horror and drama to create a unique take on a well-trod path, one that will leave its audience both moved and uncomfortably in touch with their own mortality.
[Film Review] Beaten to Death (2022)
Horror films love to ask the question, “What would you do if you were stranded in an unfamiliar area, and had to rely on the kindness of strangers?” And Beaten to Death (2022), written and directed by Sam Curtain, screams this question.