[Book Review] Tomie (1987)
*Warning-this review contains spoilers*
Manga artist Junji Ito, one of the pioneers of modern horror in manga, kick started his career with Tomie. The title character, Tomie Kawakami, at first appears to be a lovely, kind, sympathetic teenager who is hopelessly in love with her schoolteacher.
However, as the story progresses, it becomes clear that she thinks she is more beautiful than anyone else, lacks empathy for others, and like a succubus, she entices men to fall in love with her. Each of her lovers gets the urge to murder her by chopping her into little pieces. Every time Tomie is murdered, she is reincarnated to haunt and destroy everything and anyone in her way.
Ito’s story telling is masterful because the pace changes so quickly. In the first chapter, I remember feeling sorry for Tomie, I thought she was an outcast and a victim of bullying, but by the tenth chapter: “Assassins”, I wanted her to die. I thought that she deserved to die. Ito constructs the characters so intricately that many readers are empathetic towards them, and this is also why his storytelling is so compelling .
The theme of male violence is prominent in Tomie. A man killing the woman he loves disturbs traditional gender roles. Usually, society scorns women for being too emotional, hysterical, and delirious. In Tomie it is the men who are driven to insanity by Tomie’s beauty, whilst she never returns their affections. Tomie is monstrous to the men: once they show her affection, she ignores and ridicules them. Tomie “only sees men as little more than adornments; her only real interest is herself”. Even if the men are beautiful, Tomie does not care, which is reinforced in the story “Top Model”. Although Tomie is extremely rude and completely lacks emotion, she does not physically harm anyone. Does she really deserve to die each time at the hands of lovesick lunatics?
Ito’s work is grotesque and pushes the boundaries of horror, therefore, when reading the manga there are moments that are physically repulsive. Ito’s ability to invoke strong emotions in his reader is what makes him a master of horror. One of the most disturbing stories for me within the collection is “Boy”, which follows a little boy named Satoru. Tomie forces Satoru to call her mommy, and she also asks him to “comfort her”. There are even graphic images of Tomie forcing Satoru to kiss her on the lips. Tomie’s paedophilic actions made me feel extremely uncomfortable.
Overall, Tomie reaffirmed why I love horror and there were many moments when I felt tingles down my spine. Despite the story making me feel uncomfortable, I felt compelled to find out what form Tomie took next.
You can purchase Tomie here.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
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