[Book Review] Velvet Was the Night (2021)
Velvet Was the Night by Silvia Moreno-Garcia (Mexican Gothic) transports readers to Mexico City on June 10, 1971, the day of the Corpus Christi Massacre. What began as a student protest quickly descended into the brutal killing of some 120 young people at the hands of the Hawks, a shock group created by the Mexican government to suppress dissidents.
The story follows the parallel journeys of Elvis and Maite during the days following the massacre; one, a member of the Hawks with a passion for Presley and the other, a lonely secretary who lives vicariously through the romantic heroes of her favorite comic book, Secret Romance.
When Maite’s beautiful and enigmatic neighbor Leonora goes missing and leaves her with the responsibility of caring for her cat, Maite begins investigating her disappearance and soon finds herself embroiled in Mexico City’s underworld of secret police, KGB agents, and young revolutionaries.
Following the orders of his inscrutable boss El Mago, Elvis and his team of Hawks also search for Leonora, as well as a mysterious roll of film that could bring down the existing autocracy.
Readers who are expecting a classic horror story won’t find one here. By its simplest definition, Velvet Was the Night is a gritty Neo-noir thriller, following two dreamers who couldn’t be more different, bound by the thread of a historic catastrophe and one missing girl. Upon closer inspection, it is a tale about the real-life horrors that people witness and endure at the hands of a corrupt government and the lengths that some will go to in order to survive it.
Moreno-Garcia has an incredible ability to draw readers into a time and place, but where she excels beyond measure is in the creation of fully realized characters with such rich inner lives. She seamlessly weaves together a large cast of characters, concealing and revealing motivations throughout like a seasoned magician.
It is a rare thing to find a book without fault. Some might say it can’t be done. But Moreno-Garcia has managed to create a piece of noir literature that is beyond reproach.
Reading this book is like eating a piece of chocolate cake; indulging deliciously in daydreams, in fantasy, in music, and the thrill of pursuing what is unknown. And in some ways, it’s like a vinyl record playing your favorite song, gifted to you by a lover; an exploration of all our own human insecurities, desires, curiosity, hopes, and deeply rooted fears.
Velvet Was the Night hits bookshelves on August 17.
A shadowy world awaits you.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
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