[Editorial] Celluloid Screams Film Festival: 3 Short Horror Film Winners
This week we’ll be bringing you some of the latest coverage from Sheffield’s Celluloid Screams Film Festival! The festival itself had an amazing line-up of feature films programmed across four days, but it was the impressive short horror films that really stood out from everything else. Being on the judging panel meant I was lucky enough to watch every single short they had playing, and the overall quality of each short was phenomenal. I was pleasantly surprised to sit through about 40 short films and enjoy almost all of them - there was perhaps only one, maybe two, that weren’t my particular taste.
Joining myself on the jury were two incredibly talented women, which felt completely inclusive and diverse - a refreshing jury compared to many other film festivals! Maritte Sørensen has been involved in several film festivals in Sweden, including Lund International Fantastic Film Festival where she was formerly Festival Director. There was also Rose Butler, Programme and Audience Development Coordinator at The Showroom Cinema, which was the venue for this year’s festival. Rose is also a visiting lecturer in Film and Television studies at Sheffield Hallam University. Together we were given the opportunity to discuss the films and choose the best of the bunch - it wasn’t easy but there are the ones we felt really deserved a high recognition.
Honourable mention: The Thing That Ate The Birds
The first aspect that stood out the most was the title, The Things That Ate The Birds, which just screams horror and mystery. Dan Gitsham’s short horror film is a creepy little short that will really leave you with some nightmarish memories to haunt your evenings. The imagery is truly terrifying and there are some stand-out visual effects featured too. It captures the bleakness of the barren Yorkshire landscape and has an equally bleak ending.
3rd: Please Hold
The most interesting and harrowing horror-of-the-near-future short to come from this year. KD Davila’s short, Please Hold, shows Mateo as he starts his ordinary day heading out to work, only to find himself arrested by the police robots and thrown in jail without an explanation as to his crime, and with a sentence of nearly 50 years looming. We all found this one to be particularly important, not only in how it questions the digitalisation of our world, but also the political message it delivers by drawing parallels to prejudiced policing and the industrial prison system. Even though it’s a tough watch, there is some humour thrown in and Erick Lopez gives a fantastic performance.
2nd: Lilias Adie
Every one of us felt like this one was one of the most powerful and moving recounts of witchcraft and the horrific torture that numerous women were put through before ultimately coming to their demise. Lilias Adie from Elize du Toit, is a true retelling of how a woman named Lilias Adie was accused of witchcraft and died after a month of imprisonment and torture. Although it’s a story that feels like it’s been told before, this portrayal is a refreshing take with its atmospheric yet warm depiction of women and the environment of that time, with stunning cinematography from Laura Bellingham. Kate Dickie is absolutely astonishing in this, bringing so much raw emotion to the role.
1st: You’re Dead Helene
This was an unanimous decision from Maritte, Rose and myself, with us all immediately detailing it as our top film. You’re Dead Helen is from Michiel Blanchart, and follows Maxime as he tries to navigate leaving his girlfriend Helene, but there’s one big problem that makes this break-up tougher than normal - Helene is dead. This one is something a little different to your typical horror story by balancing humour, horror and the power of human connection and emotion. A flawless portrayal of grief and mourning, with two amazing performances from Theophile Roux and Lucile Vignolles, who breathe live and death into their characters. This is a beautiful horror short that will make you jump, laugh, scream and cry.
I can sometimes go months without having a panic attack. Unfortunately, this means that when they do happen, they often feel like they come out of nowhere. They can come on so fast and hard it’s like being hit by a bus, my breath escapes my body, and I can’t get it back.