[Book Review] Love Sickness (2021)
Lovesickness is one of Junji Ito’s lesser-known titles - Tomie and Uzamaki are the most famous - but Lovesickness certainly rivals them in terms of storytelling. Lovesickness is the collection’s main story, which follows Rysusuke who returns to a town where he had once lived before.
The town is ominous as the people within it are fanatics of “crossroad fortune-telling”. This is where an individual must stand at an intersection and wait for the first passerby to tell them their fortune. One day a “beautiful boy dressed in all black clothing, with a pierced ear”, known as the boy in black, begins to maliciously tell the young women of the town bad fortunes.
The young women quickly become obsessed with the boy in black: each wants to fulfil his twisted fortunes. He turns friends against friends, leads a woman to kill her lover’s son and set herself ablaze, and culminates in the mass suicide of teenage girls. Amidst this chaos, Rysusuke begins patrolling the intersections trying to stop the boy in black from telling fortunes.
Lovesickness explores being a prisoner of guilt. Although Rysusuke appears very sweet natured, readers quickly realize that he harbours a dark secret. During his childhood, a woman committed suicide because he told her a cruel fortune. Harbouring guilt for the women’s death, Rysusuke patrols the intersections to prevent further suicide. Would Ryusuke be as obsessed with finding the boy in black if he did not want to right his own wrongs? Lovesickness also explores the horrors that come with idolatry. The young women lose their sanity because of their idolisation of the boy in black and in the end, they kill themselves because of him. Ito uses sexist tropes to ridicule how the media portray women. The women in Lovesickness always ask about love in their crossroad fortunes as if love is the only thing that is important to them.
Overall, Lovesickness is perhaps not one of Ito’s strongest pieces of work, but has fantastic horror elements, some of which resonate in real life. My second favourite story in the collection is “The Rib Woman”, which focuses on women who surgically remove their rib cages. The story reinforces the horrors of beauty standards that pressure women to change their appearances. There are three other stories within the collection, “The Strange Hikizuri Siblings”, “The Mansion of Phantom Pain” and “Memories of Real Poop”. The latter is my least favourite because of its incorporation of comedy – but some people enjoy the mixture of comedy and horror, so if that is the case, they may like the story. If you are a fan of body horror, grotesque images, and ghost stories, then you may like this collection.
You can purchase Lovesickness here.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
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