[Film Review] Lola (2022)
Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.
[Film Review] Evil Dead (2013)
Fede Álvarez’s feature directorial debut Evil Dead (2013) is a gut wrenching and richly subtextual reimagining of Sam Raimi’s cult classic.
[Film Review] Deep Woods (2022)
In Deep Woods, we follow Ty, the aforementioned businessman, and his old college roommate Nick, a Native American Game Warden who Ty seeks out to be his guide to the wilderness.
[Film Review] Spoonful of Sugar (2022)
Spoonful of Sugar is a Shudder original film that combines an assortment of horror elements that keeps you speculating about the narrative's intent.
[Film Review] Wrong Turn 2021
Wrong Turn could easily fall prey to the usual out in the woods / folk horror tropes, but this one hits differently.
[Film Review] The World We Knew (2020)
The World We Knew (2020) settles itself in a deserted safe house where six men are waiting to hear how their botched robbery will impact their next step.
[Film Review] Jethica (2022)
Elena (Callie Hernandez) teases out the story to her anonymous lover, the no-name guy she won’t be taking back to her place
[Film Review] We Have Always Lived in the Castle (2018)
Stacie Passon’s We Have Always Lived in the Castle (2018) is slow burning and symbolic.
[Film Review] Evil Dead Rise (2023)
Evil Dead Rise is a return to unpretentious and unrestrained, gore-soaked terror for mainstream horror, bringing the franchise back to be with the maggots, in the best possible way.
[Film Review] After She Died (2022)
After She Died joins the recently graduated Jen (Liliana Ritchie) as she tries to traverse the grief felt in the wake of her mother’s death.
[Film Review] Candyland (2022)
Set in the early 90’s Candyland follows a small group of truck stop sex workers, aptly named the ‘Lot Lizards’.
[Film Review] Signal 100 (2019)
Based on the manga of the same name, Lisa Takeba’s Signal 100 recalls other films
[Film Review] The Falling (2014)
In The Falling, writer/director Carol Morley further explores ideas formed in her 2006 short film Madness of the Dance
[Film Review] Fredheads the Documentary (2022)
I believe there is a Fredhead inside all of us and for fans of the Nightmare on Elm Street series..
[Film Review] Ox Head Village (2022)
Kanon is an average girl living her life when one day her friend Ren shows her a video of three girls who went into a supposedly haunted location, one of whom went missing
[Film Review] Scream 5 (2022)
25 years after the hit classic slasher film, Ghostface returns to torment the town of Woodsboro once again in a gruesome, gory bloodbath.
[Film Review] Behind the Mask: The Rise of Leslie Vernon (2006)
The self-conscious horror film, i.e. the horror film about horror films, is something we have seen time and time again
[Film Review] Lullaby (2022)
Written by duo Alex Greenfield and Ben Powell, Lullaby stars Oona Chaplin as Rachel, a new mother, who unknowingly summons Lilith after singing a song from an old book.
[Film Review] Pearl (2022)
Ti West has once again gifted us with a film that harks back to a very specific period of iconic cinema with Pearl
[Film Review] Project Wolf Hunting (2022)
What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?