[Mother of Fears] Mothering in Silence in A Quiet Place (2018)
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
[Mother of Fears] Mother Vs. Monster in Silent Hill (2006)
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
[Mother of Fears] I Don’t Wanna Be Buried in a Pet Sematary (1989) and (2019)
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
[Film Review] The Breach (2023)
Isn’t it great that there’s now an almost universally accepted shorthand for spooky, interdimensional stories that play with the fabric of time and often introduce creatures the simple mind cannot fathom? Instead of writing all that out, we just say “Lovecraftian Horror” and the avid viewer can fill in the blanks themselves.
[Mother of Fears] How I Love to Love Nadine in The Stand (2020)
The story focuses on a group of survivors after most of the world’s population is wiped out by Captain Trips, a lethal super-flu. And while there are enough horrors to go around in a story like this, the real focus of King’s book is how those who survive react to the changing world around them.
[Mother of Fears] A Certain Hunger in Onibaba (1964)
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
[Editorial] Top 15 Aliens in Sci-Fi & Horror Films
Strap in folks, because the aliens have landed and they’re here to probe, eviscerate, procreate, and replace…
[Mother of Fears] Be Very Afraid of Motherhood in The Fly (1986)
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
[Film Review] The UFO Chronicles: A History Of Mysterious Sightings (2023)
The selling point of The UFO Chronicles: A History Of Mysterious Sightings, is that it's written, performed and illustrated entirely by Artificial Intelligence.
[Film Review] Cube (2021)
Inspired by Vincenzo Natali’s 1997 film of the same name, Cube joins a group of six strangers as they awaken in a nightmarish puzzle box.
[Film Review] Brightwood (2022)
Dane Elcar’s film Brightwood (screened at Panic Fest and Salem Horror Festival) does the seemingly impossible – it makes the outdoors seem claustrophobic.
[Film Review] Lola (2022)
Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.
[Editorial] Frankenhooker (1990) and the Attacks on Bodily Autonomy
The horror and science-fiction genres have always been queer and they’ve always been trans-inclusive…
[Film Review] Project Wolf Hunting (2022)
What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?
[Editorial] Interview with Mali Elfman Writer and Director of Next Exit (2022)
There’s been quite a buzz about Next Exit since its UK premiere at Arrow Video FrightFest last year…
[Editorial] Interview with Robbie Banfitch Writer and Director of The Outwaters (2022)
The Outwaters is a rare found-footage film, both beautiful and brutally wild at times. I had the privilege of grabbing some of writer/director Robbie Banfitch’s time last week, on the day The Outwaters was due in American cinemas.
[Film Review] Crimes of The Future (2022)
Humans adapt to a synthetic environment, with new transformations and mutations. …
[Film Review] The Last Possession (2022)
The Last Possession (2022) is a haunted house chiller with an intercosmic twist.
[Film Review] Broadcast Signal Intrusion (2021)
James searches for answers about his wife who went missing a few years ago in 90s Chicago…
[Film Review] Meander (2020)
Meander had me at “claustrophobic death traps.” The poster and synopsis for the film promised horror reminiscent of Cube-meets-Saw…