[Editorial] Soho Horror Film Festival: Interview with Aimee Kuge on Cannibal Mukbang
Films that blend horror with romance always fascinate me; add a niche contemporary setting that I’ve never heard of before and I’m hooked. Cannibal Mukbang was made by Aimee Kuge, a young woman from New York, and I was privileged to spend a little time talking with her over Zoom…
[Editorial] 10 Films & Events to Catch at Soho Horror Film Fest 2023
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
[Editorial] 9 Horror Nintendo Switch Games To Play
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
[Mother of Fears] Mothering in Silence in A Quiet Place (2018)
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
[Event Review] Highlights from Mayhem Film Festival 2023
Have I told you about Mayhem Film Festival before? It’s a favourite event of mine, so I’ve blurted about it in anticipation to many people I know. The event has just passed, so now is the time to gush its praises to those I don’t know.
[Editorial] Mayhem Festival: Interview with Thomas Sainsbury on Loop Track (2023)
Loop Track, Thomas Sainsbury’s directorial debut, has such a sparse description that it’s really difficult to know what you’re stepping into when it starts. It’s about Ian (played by the director), who is taking a trek through the New Zealand bush….
[Editorial] Keeping Odd Hours: A Retrospective on Near Dark (1987)
For a movie that doesn’t even mention the word “vampire” once throughout the length of the film, Near Dark (1987) is a unique entry in the vampire film genre.
[Editorial] 5 Female Focused Horror Book Recommendations
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
[Editorial] What to Watch at This Year's Cine-Excess International Film Festival 2023
Kicking off on Tuesday 17th October, the 2023 edition considers the cinematic, social and cultural significance of the possessed, supernatural and unclean body onscreen.
[Editorial] Cherish Your Life: Comfort in the SAW Franchise Throughout and Beyond the COVID-19 Pandemic
I was aware of the COVID-19 pandemic before I knew that’s what it would be called, and before it ever affected me personally. My husband is always on top of world events, and in late 2019, he explained what was happening around the globe.
[Editorial] The Art of Horror in Metal
Metal and horror have many aspects in common. The passionate fanbase for both genres attend festivals and has created strong communities. Horror and Metal fans often sport clothing depicting their favourite bands or films, almost like a uniform.
[Editorial] Mayhem Festival: Interview with Toby Poser and John Adams on Where the Devil Roams (2023)
The Adams family’s latest film, Where the Devil Roams, was a smash at Fantasia and FrightFest (where it won three major awards), and is now heading into the UK regional festivals, including my favourite, Mayhem Film Festival in Nottingham.
[Editorial] Interview with Bishal Dutta, Writer and Director of It Lives Inside (2023)
With It Lives Inside, writer and director Bishal Dutta created a horror film that is as moving as it is terrifying. Ghouls Magazine was able to sit down with the award-winning filmmaker to discuss the inspirations behind the movie.
[Editorial] 9 Best Slashers Released Within 10 Years of Scream (1996)
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
[Mother of Fears] Mother Vs. Monster in Silent Hill (2006)
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
[Editorial] 9 Terrifying Cerebral Visions in Horror Movies
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.
[Editorial] Virginity is a Killer as Cherry Falls (2000) Celebrates 23rd Anniversary
On August 25, 2000, the UK was treated to a gem of a slasher film, Cherry Falls (2000), being released in cinemas. While censorship issues meant the film was released two months later as a TV movie in the United States, Cherry Falls has still earned its place as a cult classic in the slasher world.
[Editorial] Deadly Duets: The Power of Dance in Horror Cinema
From the jaw dropping moment in The Texas Chainsaw Massacre 2 (1986, Tobe Hooper) when Stretch and Leatherface dance it out, to that edge-of-your-seat final boogie between Noa and Steve in Fresh (2022, Mimi Cave), I want to argue that these sequences change the course of both films, directing each narrative inexorably towards their end.
[Mother of Fears] I Don’t Wanna Be Buried in a Pet Sematary (1989) and (2019)
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
[Editorial] Examining Addiction in Midnight Mass (2021)
Both Riley’s addiction and his Catholic upbringing define his arc in the miniseries, manifesting in a dangerous combination as he’s turned into a vampire against his will because of the island’s mysterious new priest, Father Paul (Hamish Linklater).