Jerry Sampson / Senior Contributor 03/03/2023 Jerry Sampson / Senior Contributor 03/03/2023

[Film Review] Blood (2023)

Blood stars Michelle Monaghan (Gone Baby Gone) as Jess, a mother and nurse recovering from substance abuse and making a new start after the end of her dysfunctional marriage by moving her daughter Tyler (Skyler Morgan Jones) and younger son Owen (an outstanding performance from Finlay Wojtak-Hissong) into her childhood home.

Amber T / Contributor 01/03/2023 Amber T / Contributor 01/03/2023

[Film Review] The Outwaters (2022)

The Outwaters, the disturbing feature debut from Robbie Banfitch, with its Mojave setting of glaring sun and blood-stained sand is stylistically worlds apart from the — very real, very tragic — incident.

Ygraine Hackett-Cantabrana / Senior Contributor 27/02/2023 Ygraine Hackett-Cantabrana / Senior Contributor 27/02/2023

[Film Review] Daughter (2022)

After having its world premiere at FrightFest 2022, taut thriller Daughter has now been released to rent or own digitally for the UK and Ireland.

Iona Smith / Senior Contributor & Events Organiser 26/02/2023 Iona Smith / Senior Contributor & Events Organiser 26/02/2023

[Film Review] Next Exit (2023)

If the existence of ghosts, and therefore life after death, was proven, how would the world respond

Jerry Sampson / Senior Contributor 13/02/2023 Jerry Sampson / Senior Contributor 13/02/2023

[Film Review] Sorry About the Demon (2022)

In the world of horror film criticism and analysis, common discourse entertains the ‘what abouts’ of subgenres.

Sarah Miles / Contributor 08/02/2023 Sarah Miles / Contributor 08/02/2023

[Film Review] The Killer is One of Thirteen (1973)

Glamorous widow Lisa (Patty Shepherd) has invited a large party of people to her remote mansion.

Lakkaya Palmer / Contributor 06/02/2023 Lakkaya Palmer / Contributor 06/02/2023

[TV Review] Junji Ito Maniac: Japanese Tales of the Macabre (2023)

For years, I have been a woman obsessed with the sensational work of manga writer and artist Junji Ito

Zoë Rose Smith / Editor-in-Chief 19/01/2023 Zoë Rose Smith / Editor-in-Chief 19/01/2023

[Film Review] Justine (2022)

When it comes to disturbing works of art, literature has always had a way with words. Finding ways to torment the reader’s mind through the use of prose, relying on their own imaginations to concoct visions of horror.

Ygraine Hackett-Cantabrana / Senior Contributor 18/01/2023 Ygraine Hackett-Cantabrana / Senior Contributor 18/01/2023

[Film Review] Deep Web XXX (2018)

Deep Web XXX is an anthology that explores the depths of depravity immersed in the deep web, as well as the natural human condition of morbid curiosity.

Ariel Powers-Schaub / Senior Contributor & Admin Assistant 17/01/2023 Ariel Powers-Schaub / Senior Contributor & Admin Assistant 17/01/2023

[Film Review] The Unknowable (2022)

Sometimes, as a horror fan, it can feel like we’ve seen everything, and we’re hungry for a new story, some new scares. If that describes you, check out the breath of fresh air that is The Unknowable (2022).

Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023 Ygraine Hackett-Cantabrana / Senior Contributor 16/01/2023

[Film Review] Kiddo (2022)

Set amongst a bleak and certainly grim landscape, Kiddo introduces viewers to a dystopian world where humans are divided into those who eat, and those who are eaten.

Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022 Ygraine Hackett-Cantabrana / Senior Contributor 16/12/2022

[Film Review] Confessions of a Necrophile Girl (2021)

Directed by controversial director Cristiano Domiziano (Vore Gore, Nightmare Symphony), Confessions of a Necrophile Girl follows a young mortuary makeup artist as she documents through a video diary her struggles to fight her necrophiliac urges whilst on the job, or run the risk of getting caught.

Ariel Powers-Schaub / Senior Contributor & Admin Assistant 15/12/2022 Ariel Powers-Schaub / Senior Contributor & Admin Assistant 15/12/2022

[Film Review] Christmas Bloody Christmas (2022)

If your Christmas wish list includes the robots from Chopping Mall (1986) in Santa suits awash in neon and set to rock n’ roll music, you are in luck!

Liz DeGregorio / Senior Contributor 01/12/2022 Liz DeGregorio / Senior Contributor 01/12/2022

[Film Review] To the Moon (2021)

The complex (and often twisted) relationship between siblings has provided the tension for dozens of horror movies….

Caitlyn Downs / Contributor 30/11/2022 Caitlyn Downs / Contributor 30/11/2022

[Film Review] Celluloid Screams Film Festival: The Leech (2022)

Eric Pennycoff’s The Leech delivers on fierce satire and wry dark comedy in this (mostly) three-way Christmas pot-boiler.

Robyn Adams / Contributor 28/11/2022 Robyn Adams / Contributor 28/11/2022

[Film Review] Eating Miss Campbell (2022)

Troma films are something you either do or don’t get…

Caitlyn Downs / Contributor 21/11/2022 Caitlyn Downs / Contributor 21/11/2022

[Film Review] Celluloid Screams Film Festival: The Elderly (2022)

A surprising and effective horror on the peril of ignoring your elders.

Zoë Rose Smith / Editor-in-Chief 10/11/2022 Zoë Rose Smith / Editor-in-Chief 10/11/2022

[Film Review] Philosophy of a Knife (2008)

Historical atrocities are something that cannot be shied away from, and filmmakers have time and time again reverted to fictional depictions of true stories to enlighten audiences of the historical horrors that have happened.