EDITORIALS - ARCHIVE (DATE) Featured 5 Dec 2023 [Editorial] Soho Horror Film Festival: Interview with Aimee Kuge on Cannibal Mukbang 5 Dec 2023 5 Dec 2023 24 Nov 2023 [Editorial] 10 Films & Events to Catch at Soho Horror Film Fest 2023 24 Nov 2023 24 Nov 2023 2 Nov 2023 [Editorial] 9 Horror Nintendo Switch Games To Play 2 Nov 2023 2 Nov 2023 22 Oct 2023 [Mother of Fears] Mothering in Silence in A Quiet Place (2018) 22 Oct 2023 22 Oct 2023 19 Oct 2023 [Event Review] Highlights from Mayhem Film Festival 2023 19 Oct 2023 19 Oct 2023 18 Oct 2023 [Editorial] Mayhem Festival: Interview with Thomas Sainsbury on Loop Track (2023) 18 Oct 2023 18 Oct 2023 17 Oct 2023 [Editorial] Keeping Odd Hours: A Retrospective on Near Dark (1987) 17 Oct 2023 17 Oct 2023 14 Oct 2023 [Editorial] 5 Female Focused Horror Book Recommendations 14 Oct 2023 14 Oct 2023 13 Oct 2023 [Editorial] What to Watch at This Year's Cine-Excess International Film Festival 2023 13 Oct 2023 13 Oct 2023 12 Oct 2023 [Editorial] Cherish Your Life: Comfort in the SAW Franchise Throughout and Beyond the COVID-19 Pandemic 12 Oct 2023 12 Oct 2023 10 Oct 2023 [Editorial] The Art of Horror in Metal 10 Oct 2023 10 Oct 2023 5 Oct 2023 [Editorial] Mayhem Festival: Interview with Toby Poser and John Adams on Where the Devil Roams (2023) 5 Oct 2023 5 Oct 2023 3 Oct 2023 [Editorial] Interview with Bishal Dutta, Writer and Director of It Lives Inside (2023) 3 Oct 2023 3 Oct 2023 26 Sept 2023 [Editorial] 9 Best Slashers Released Within 10 Years of Scream (1996) 26 Sept 2023 26 Sept 2023 24 Sept 2023 [Mother of Fears] Mother Vs. Monster in Silent Hill (2006) 24 Sept 2023 24 Sept 2023 31 Aug 2023 [Editorial] 9 Terrifying Cerebral Visions in Horror Movies 31 Aug 2023 31 Aug 2023 29 Aug 2023 [Editorial] Virginity is a Killer as Cherry Falls (2000) Celebrates 23rd Anniversary 29 Aug 2023 29 Aug 2023 29 Aug 2023 [Editorial] Deadly Duets: The Power of Dance in Horror Cinema 29 Aug 2023 29 Aug 2023 27 Aug 2023 [Mother of Fears] I Don’t Wanna Be Buried in a Pet Sematary (1989) and (2019) 27 Aug 2023 27 Aug 2023 22 Aug 2023 [Editorial] Examining Addiction in Midnight Mass (2021) 22 Aug 2023 22 Aug 2023 11 Aug 2023 [Editorial] Interview with Rodrigo Gudiño director of The Breach (2023) 11 Aug 2023 11 Aug 2023 8 Aug 2023 [Editorial] Interview with Carter Smith director of The Passenger (2023) 8 Aug 2023 8 Aug 2023 25 Jul 2023 [Editorial] The Shocking Brilliance of Frankenhooker (1990) 25 Jul 2023 25 Jul 2023 23 Jul 2023 [Mother of Fears] How I Love to Love Nadine in The Stand (2020) 23 Jul 2023 23 Jul 2023 18 Jul 2023 [Editorial] 11 Best Werewolf Transformations in Horror Films 18 Jul 2023 18 Jul 2023 5 Jul 2023 [Editorial] Interview with Ariel Baska on Access:Horror Film Festival 5 Jul 2023 5 Jul 2023 4 Jul 2023 [Editorial] Blood, Guts and Mommy Issues in The Witch (2015) 4 Jul 2023 4 Jul 2023 1 Jul 2023 [Editorial] Ranking M. Night Shyamalan: his Good, his Bad, Not so Good, and his Twists 1 Jul 2023 1 Jul 2023 27 Jun 2023 [Editorial] Dead Ringers (2023) and Bodily Autonomy 27 Jun 2023 27 Jun 2023 25 Jun 2023 [Mother of Fears] A Certain Hunger in Onibaba (1964) 25 Jun 2023 25 Jun 2023