[Editorial] Best of Netflix Horror Films Part 2
After her recommendations on the Classics, Modern Masterpieces and Something A Little Netflix-Nasty in part 1, here Elizabeth Bishop continues with a definitive list of horrors that you can watch on everyone’s favourite streaming service – Netflix (as of Tuesday 18 January 2022).
Just for fun:
Looking for horror with a bit more amusement and excitement? Something that you can watch and enjoy over dinner or with a group of friends/family? Try The Babysitter (2017) – a glorious teenage romp with the stunning and enigmatic Samara Weaving at its helm.
The dark comedy follows Cole (Judah Lewis) as he hatches a plan to stay up late and spy on his babysitter Bee (Weaving). Unfortunately, though, he quickly comes to regret his idea when he becomes witness to a satanic sacrifice. Cue some gory deaths, some awesome chase scenes and lots of comic relief from the gorgeous but dim-witted supporting cast.
Probably the only family-friendly film in our list, Vampires vs The Bronx (2020) gave me big ‘Lost Boys for a new generation’ energy. It has all the familiar vampire tropes, and the warmth and nostalgic feeling of the 80s but it’s set in modern America, where social media is King.
Vampires vs The Bronx is a fun and charming horror-comedy for fans of all ages that would make for a perfect yearly Halloween watch with all the kids.
If you’re anything like me and my parents, you will LOVE a good creature feature on a Sunday afternoon with your roast dinner.
47 Meters Down Uncaged (2019) follows four teenage girls as they go diving in a ruined underwater city. Things start to go wrong fairly quickly as one of the girls disturbs the ruins, trapping them down there with a decreasing amount of oxygen and an increasing amount of deadly white sharks.
This underwater horror is ridiculous and cheesy in all the right ways, and tense, gory and jumpy in all the right places.
When watching this with my mom and dad - all three of us were sat on the edge of our seats in the final scenes shouting “SWIM! SWIIIMMMMMM!” at the screen, hoping that they would make it out alive. But maybe we just have terrible taste in movies? Who knows.
Honourable Mentions:
Escape Room (2019)
Scary Stories to Tell in the Dark (2019)
Drag me to Hell (2009)
Something Familiar:
People are often quick to turn their noses up at remakes, especially within the horror community as we have a biiiig love for the classics and the way they inspired and changed the genre. However, I think most of us would agree that Dawn of the Dead (2004) is one of, if not THE exception. Gory as all hell, and terrifying from the very beginning – this is one remake that honours, and for some even beats, the original.
A less popular remake, but one that I would encourage everyone to give the chance, is Black Christmas (2019). Aside from the fact that it fits very nicely into everyone’s favourite ‘Good for Her’ sub-genre by bringing back the themes of misogyny and feminism that its original 1974 counterpart had - it’s also a really fun and festive frolic – utilising the cheer and traditions of the holiday to give us some truly inspired kills and laughs.
Becky Darke covers it as part of our 12 Ghouls of Christmas series, and Kim Morrison looked at all 3 iterations in her Sorority Sisters and Seasonal Slayings piece.
You might have missed…
With Netflix updating on a weekly basis, and a lot of their content either eagerly anticipated or going viral within days of its release, it's really easy to miss things that have been added.
One that I didn’t see too much hype around, but that you are really gonna wanna go in blind with is I See You (2020). It’s one of those thrillers where you think you know exactly where it’s going, and then you’re suddenly presented with something completely different – something you never even realised you were scared of until it’s in front of your face.
I See You is truly a hidden gem that will have you checking under your bed… and in your wardrobes… and in your loft, before you sleep.
Before he became everyone’s favourite goth boyfriend in Jennifer’s Body, Ghouls Magazine favourite Kyle Gallner starred in The Haunting in Connecticut (2009) – a chilling tale of a family forced to relocate to a decrepit old house with a horrific history. It doesn’t reinvent the wheel when it comes to haunted house tales, but it has some really fun scares and juicy special effects.
If you’re looking for more social commentary than spooky and supernatural, try Spree (2020)– the story of Kurt (Joe Keery – Stranger Things) - a cab driver for a pseudo-Uber service, who longs desperately for internet fame and notoriety – no matter the cost. When his attempts to gain more followers fail repeatedly, he comes up with an elaborate new scheme which he names #TheLesson – a livestream demonstrating to viewers how easy it is to get away with murder.
There’s so much fun to be had with this little found-footage rampage. Joe Keery gives such a manic, off-kilter and unfamiliar performance that you can’t help but watch with pure glee.
Honourable Mentions:
Creep (2014)
Wrong Turn (2021)
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
In the sweaty summer of 1989, emerging like a monochrome migraine from the encroaching shadow of Japan’s economic crash, Shin’ya Tsukamoto’s Tetsuo: The Iron Man shocked and disgusted the (very few) audiences originally in attendance.
Whether it's the havoc wreaked on the human body during pregnancy, emotional turmoil producing tiny murderous humans or simply a body turning on its owner, body horror films tend to be shocking. But while they're full of grotesque imagery, they're also full of thoughtful premises and commentary, especially when it comes to women, trauma, and power.
The human body is a thing of wonder and amazement–the way it heals itself, regenerates certain parts and can withstand pain and suffering to extreme extents. But the human body can also be a thing of disgust and revulsion–with repugnant distortions, oozing fluids and rotting viscera.
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
The year was 1968 and a young man named George A. Romero had shot his first film, a horror movie that would change the world of cinema and not just horror cinema, at that. Night of the Living Dead (1968), would go on to become one of the most important and famous horror films of all time as it tackled not only survival horror but also very taboo and shocking topics like cannibalism and matricide.
In the end I decided to indulge myself by picking eight of my favourite shorts, and choosing features to pair with them that would work well as a double bill. The pairs might be similar in tone, subject or style; some of the shorts are clearly influenced by their paired movie, while others predate the features.
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Films that blend horror with romance always fascinate me; add a niche contemporary setting that I’ve never heard of before and I’m hooked. Cannibal Mukbang was made by Aimee Kuge, a young woman from New York, and I was privileged to spend a little time talking with her over Zoom…
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Have I told you about Mayhem Film Festival before? It’s a favourite event of mine, so I’ve blurted about it in anticipation to many people I know. The event has just passed, so now is the time to gush its praises to those I don’t know.
Loop Track, Thomas Sainsbury’s directorial debut, has such a sparse description that it’s really difficult to know what you’re stepping into when it starts. It’s about Ian (played by the director), who is taking a trek through the New Zealand bush….
For a movie that doesn’t even mention the word “vampire” once throughout the length of the film, Near Dark (1987) is a unique entry in the vampire film genre.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
Kicking off on Tuesday 17th October, the 2023 edition considers the cinematic, social and cultural significance of the possessed, supernatural and unclean body onscreen.
I was aware of the COVID-19 pandemic before I knew that’s what it would be called, and before it ever affected me personally. My husband is always on top of world events, and in late 2019, he explained what was happening around the globe.
Metal and horror have many aspects in common. The passionate fanbase for both genres attend festivals and has created strong communities. Horror and Metal fans often sport clothing depicting their favourite bands or films, almost like a uniform.
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Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
I can sometimes go months without having a panic attack. Unfortunately, this means that when they do happen, they often feel like they come out of nowhere. They can come on so fast and hard it’s like being hit by a bus, my breath escapes my body, and I can’t get it back.