[Editorial] Ho Ho Horrible Imaginings Film Festival 2021
What could be a better way to boost the holiday spirit than a mini-festival of spooky seasonal short films? Before the holiday season gets maximally crazy, I was able to enjoy a one-day festival to give me a shot of holiday spirit this month. Horrible Imaginings Film Festival (HIFF) hosted an event charmingly named Ho Ho Horrible Imaginings on December 12th 2021. It was part of their Campfire Tales series, where they show independent horror throughout the year, in addition to the big festival in August. I had the pleasure of covering HIFF this past August, and I was delighted to participate virtually in Ho Ho Horrible Imaginings. As I experienced with their main festival earlier this year, it was well-organized, featured a variety of horror stories, and they did a fantastic job with virtual access.
This holiday-themed Campfire Tales event had two blocks of shorts, each film one-to-fifteen minutes long, with a panel discussion after each block. They ended with a feature film, Red Snow (2021) directed by Sean Nichols Lynch, and an accompanying panel discussion.
Red Snow was a perfect movie to end the night. A smart, Christmassy vampire tale that nods to our favorite vampire stories and adds something new to the genre. I have so much more to say about Red Snow, which you can read here.
Not all of the shorts were exactly Christmas-themed, but those which didn’t have a connection to Christmas had elements of family stories and/or snow, both very appropriate for the season. It was a refreshing mix because it didn’t only focus solely on Christmas. I will end with my top five shorts from the festival. Seek these out if you want some bite-sized scares in your holiday season!
Kid Nap (2020), Directed by Gurkan Yaman
A couple wakes to their baby crying, and they are tired and reluctant to get out of bed. The reveal of why the baby is crying made me jump. Only one minute long, but that’s all I needed to be scared by this story!
Woodland Cemetery (2020), Directed by Niels Bourgonje
Conducting a photoshoot in a cemetery in the woods of Stockholm, a photographer sees an old woman place a lantern on a grave. Looking through her photos later, she finds a haunted image that is hard to escape. An excellent, efficient ghost story.
Cupcake (2021), Directed by Robyn August
A man and daughter are visited one evening by a mysterious intruder with dark intentions. The amount of tension this film built in five minutes was truly impressive. It’s a mystery that unfolds slowly, until a realization hits and you look at the story from a new angle. I had to take a deep breath after this one.
Prudence (2021), Directed by R.D. Womack II
Similar to Cupcake, Prudence let’s the mystery unfold over its short run time, and the viewer is along for the ride with Prudence’s character. She wanders out in the middle of the night into what appears to be a group of people conducting an occult ritual, but that’s not the strangest part. Watch and find out!
Naughty (2019), Directed by Shawn Driscoll
A thief dressed as Santa breaks into houses on Christmas Eve to steal presents from under the tree. A little girl wakes up and starts talking to Santa, throwing off his plans. Naughty is for fans of home invasion movies in which the invaders are quickly in over their head.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
In the sweaty summer of 1989, emerging like a monochrome migraine from the encroaching shadow of Japan’s economic crash, Shin’ya Tsukamoto’s Tetsuo: The Iron Man shocked and disgusted the (very few) audiences originally in attendance.
Whether it's the havoc wreaked on the human body during pregnancy, emotional turmoil producing tiny murderous humans or simply a body turning on its owner, body horror films tend to be shocking. But while they're full of grotesque imagery, they're also full of thoughtful premises and commentary, especially when it comes to women, trauma, and power.
The human body is a thing of wonder and amazement–the way it heals itself, regenerates certain parts and can withstand pain and suffering to extreme extents. But the human body can also be a thing of disgust and revulsion–with repugnant distortions, oozing fluids and rotting viscera.
This June we’ve been looking at originals and their remakes—and whilst we don’t always agree with horror film remakes, some of them often bring a fresh perspective to the source material. For this episode, we are looking at the remake of one of the most controversial exploitation films, The Last House on the Left (2009).
The year was 1968 and a young man named George A. Romero had shot his first film, a horror movie that would change the world of cinema and not just horror cinema, at that. Night of the Living Dead (1968), would go on to become one of the most important and famous horror films of all time as it tackled not only survival horror but also very taboo and shocking topics like cannibalism and matricide.
In the end I decided to indulge myself by picking eight of my favourite shorts, and choosing features to pair with them that would work well as a double bill. The pairs might be similar in tone, subject or style; some of the shorts are clearly influenced by their paired movie, while others predate the features.
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Loop Track, Thomas Sainsbury’s directorial debut, has such a sparse description that it’s really difficult to know what you’re stepping into when it starts. It’s about Ian (played by the director), who is taking a trek through the New Zealand bush….
For a movie that doesn’t even mention the word “vampire” once throughout the length of the film, Near Dark (1987) is a unique entry in the vampire film genre.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
Kicking off on Tuesday 17th October, the 2023 edition considers the cinematic, social and cultural significance of the possessed, supernatural and unclean body onscreen.
I was aware of the COVID-19 pandemic before I knew that’s what it would be called, and before it ever affected me personally. My husband is always on top of world events, and in late 2019, he explained what was happening around the globe.
Metal and horror have many aspects in common. The passionate fanbase for both genres attend festivals and has created strong communities. Horror and Metal fans often sport clothing depicting their favourite bands or films, almost like a uniform.
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Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.
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