[Film Review] Shaky Shivers (2022)
If you can’t count on your best friend to check your teeth and hands and stand vigil with you all night to make sure you don’t wolf out, who can you count on? And so begins our story on anything but an ordinary night in 1993…
[Film Review] Elevator Game (2023)
The best thing about urban legends is the delicious thrill of the forbidden. Don’t say “Bloody Mary” in the mirror three times in a dark room unless you’re brave enough to summon her. Don’t flash your headlights at a car unless you want to have them drive you to your death.
[Film Review] Perpetrator (2023)
Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
[Film Review] The Breach (2023)
Isn’t it great that there’s now an almost universally accepted shorthand for spooky, interdimensional stories that play with the fabric of time and often introduce creatures the simple mind cannot fathom? Instead of writing all that out, we just say “Lovecraftian Horror” and the avid viewer can fill in the blanks themselves.
[Editorial] Dead Ringers (2023) and Bodily Autonomy
What any good remake or reboot should do is present the original concept in a way that captures the central idea while integrating new ideas and adapting it to the current audience as well as newcomers to the source material. It should not just be with one talking point such as, casting a trending TikToker.
[Film Review] Jethica (2022)
Elena (Callie Hernandez) teases out the story to her anonymous lover, the no-name guy she won’t be taking back to her place