[Film Review] The Breach (2023)
Isn’t it great that there’s now an almost universally accepted shorthand for spooky, interdimensional stories that play with the fabric of time and often introduce creatures the simple mind cannot fathom? Instead of writing all that out, we just say “Lovecraftian Horror” and the avid viewer can fill in the blanks themselves.
[Editorial] Top 15 Aliens in Sci-Fi & Horror Films
Strap in folks, because the aliens have landed and they’re here to probe, eviscerate, procreate, and replace…
[Film Review] The UFO Chronicles: A History Of Mysterious Sightings (2023)
The selling point of The UFO Chronicles: A History Of Mysterious Sightings, is that it's written, performed and illustrated entirely by Artificial Intelligence.
[Film Review] Cube (2021)
Inspired by Vincenzo Natali’s 1997 film of the same name, Cube joins a group of six strangers as they awaken in a nightmarish puzzle box.
[Film Review] Brightwood (2022)
Dane Elcar’s film Brightwood (screened at Panic Fest and Salem Horror Festival) does the seemingly impossible – it makes the outdoors seem claustrophobic.
[Film Review] Lola (2022)
Set in the depths of World War II-ravaged England, scientist sisters Thomasina ‘Thom’ (Emma Appleton) and Martha ‘Mars’ Hanbury (Stefanie Martini) develop the titular LOLA: a complex machine capable of intercepting broadcasts from the future.
[Editorial] Frankenhooker (1990) and the Attacks on Bodily Autonomy
The horror and science-fiction genres have always been queer and they’ve always been trans-inclusive…
[Film Review] Project Wolf Hunting (2022)
What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?
[Film Review] Crimes of The Future (2022)
Humans adapt to a synthetic environment, with new transformations and mutations. …
[Film Review] Broadcast Signal Intrusion (2021)
James searches for answers about his wife who went missing a few years ago in 90s Chicago…
[Film Review] Meander (2020)
Meander had me at “claustrophobic death traps.” The poster and synopsis for the film promised horror reminiscent of Cube-meets-Saw…
[Film Review] Plurality (2021)
Plurality is an ambitious mix of crime thriller, near-future sci-fi and psychological horror…
[Film Review] Superdeep (2021)
There are fewer things cooler than a horror premise that takes as its basis some facet of inadequately-explored reality…
[Film Review] Flashback (2021)
At one point or another, everyone wonders if they’ve made the right choices with their time…
[Film Review] Psycho Goreman (2020)
Dripping with nostalgia and packed with ‘80s and ‘90s references, this is a film that a modern audience will enjoy…
[Film Review] Undergods (2020)
Undergods doesn’t have one story, but three, all within a distinct-but-related wrapper…
[Film Review] Synchronic (2020)
For the last few years, films at the intersection of sci-fi and horror have been characterized by a particular brand of trippy visuals and sound design…
[Film Review] Come True (2021)
It feels like a waking nightmare, one that the audience cannot escape from, paralysed in front of our screens…
[Film Review] Sea Fever (2020)
The sea happens to be one of those environments that can provide anyone with a different feeling…