[Editorial] Folie à Deux: When Teenage Bonding Goes Too Far
The bonds that women form as teenagers are necessary for dealing with a hostile world and the many changes of adolescence…
[Editorial] The Exploration of Paraphilias in Extreme Horror
Sex and horror have been tied together for decades, scenes alluding to a sexual nature are often seen in most of the classic horrors…
[Editorial] Transploitation: Glen or Glenda
What is transploitation? Some introduction to the term is necessary, certainly, but I don’t want to take too much away from Glen or Glenda.
[Editorial] Horror in a ‘Not Horror’ Film: Deconstructing The Humans (2021)
As The Humans ended, I sat in stunned silence…
[Mother of Fears] How Mommy Killed The Monster in A Nightmare on Elm Street 1984
Welcome to Mother of Fears – a monthly column that will explore the various roles that mothers play within the horror genre…
[Editorial] The Ones Who Did Not Die: The Final Girls of Horror Q&A Event
Do you love final girls? Host Rebecca McCallum chats to some Ghouls Magazine contributors all about their favourite final girls the the evolution of the final girl in horror…
[Editorial] The Revival and Rebirth of the Final Girl in Texas Chainsaw Massacre (2022)
In 1974 the world was shocked by what was depicted on-screen; something so unimaginable, so heinous and so depraved…
[Editorial] Exploring Womanhood Through Ginger Snaps Back 2: Unleashed
If I had to watch one horror movie on repeat for the rest of my life, it would be Ginger Snaps (2000)..
[Editorial] Disability and Horror: Midnight (2021)
If you’ve seen Squid Game, you’re probably already familiar with Wi Ha-Joon, the persistent detective determined to find out the truth behind the deadly games…
[Editorial] “How Do Girls Know How To Do That?” – Female Adaptation And Evolution In Spring Pt.2
The hypocrisy in the treatment of women finds its place in horror and thriller perhaps more than other genres…
[Editorial] A New Wave of Horror Stories in Pop Music - Part 3
These reclamatory bodies of work are also uniquely suited to the current landscape of pop music…
[Editorial] Taking Back Control: Women Empowerment in Malignant (2021)
Malignant (2021) braved the big screen recently, introducing a grungy new horror full of energy and fun. Director James Wan…
[Editorial] Exploring Fear and Extreme Film in S&Man (2006)
Where is the line between real and fake? What scares you the most? What boundary will you not cross?
[Editorial] A New Wave of Horror Stories in Pop Music - Part 2
While an artist like Halsey has described their aforementioned visual album If I Can’t Have Love, I Want Power as a work of body horror, and acts…
[Editorial] The Craft: Witchcraft, Sisterhood and Empowerment Part 2
Although the film tackles some ground-breaking issues, many have highlighted a major flaw in The Craft that is hard to ignore…
[Editorial] The Craft: Witchcraft, Sisterhood and Empowerment Part 1
Andrew Fleming’s The Craft (1996) is a film that most teenage girls throughout the twenty-first century have watched and treasured…
[Editorial] A New Wave of Horror Stories in Pop Music - Part 1
From Billie Eilish to Kim Petras to CHVRCHES, all of these iconic female pop stars are weaving horror throughout their music & aesthetics to tell their stories…
[Editorial] Do You Think Me Wicked? A Study of the Witches in Sleepy Hollow (1999)
When Tim Burton reworked this story into his 1999 movie, he made several notable changes to the narrative to ensure it stood out as its own adaptation…
[Editorial] Feminism in The Slumber Party Massacre Series, Part 2: From the Party to the Massacre
Here in part two, we look at each movie in turn, and how the plot lends to the overall themes of the trilogy…
[Editorial] Feminism in The Slumber Party Massacre Series, Part 1: Sex, Snacks, and Friendship
The Slumber Party Massacre (SPM) series is full of feminism. It’s also full of blood, naked breasts, and 1980’s hair…