[Mother of Fears] Laurie Strode Fights Her Fate and Fear in Halloween H20 20 Years Later
Few movie timelines are as confusing as the Halloween (1978) series. Not only are there currently three separate timelines…
[Film Review] Melancholie der Engel (2009)
Consumed by existential dread in the face of death, a group of grotesque sadists relish the opportunity to live out their most twisted and torturous fantasies…
[Film Review] Detention (2019)
There can be something special about horror stories that weave imagined horrors with real-life ones…
[Film Review] Muppets Haunted Mansion (2021)
It's Halloween night, and while most of the Muppets are at Kermit and Miss Piggy's party, Gonzo has been invited to a unique event…
[Film Review] V/H/S 94 (2021)
Just shy of 10 years after the original was released, Bloody Disgusting are back again with another instalment of the V/H/S anthology series…
[Film Review] Meander (2020)
Meander had me at “claustrophobic death traps.” The poster and synopsis for the film promised horror reminiscent of Cube-meets-Saw…
[Editorial] Spencer Charnas from Ice Nine Kills chats The Silver Scream 2: Welcome to Horrorwood
We caught up with Ice Nine Kills frontman Spencer Charnas to chat all about their latest album The Silver Scream 2: Welcome to Horrorwood…
[Film Review] Ban This Sick Filth: Moral Outrage Cold Light of Day (1989)
In what feels like Britain’s answer to Henry: Portrait of a Serial Killer, Fhiona Louise’s grimy and shocking Cold Light of Day (1989)…
[TV Review] Midnight Mass (2021)
“There is no time. There is no death. Life is a dream. It’s a wish. Made again and again and again and again. And I’m all of it. I am everything. I am all. I am that I am.”…
[Film Review] Dashcam (2021)
Jake Caul (Eric Tabach) is an editor for a New York news programme; his colleagues talk down to him and don’t seem to realise their best reports would be diminished without his technical savvy…
[Film Review] Unearth 2021
In an age of agricultural anxiety and an ever-pervasive fear of sickness, a slew of recent horrors have explored the importance of healthy land…
[Film Review] Claw 2021
How do you like your monster movies? Lots of screaming and plenty of killings, or adventure and fun?
[TV Review] Amazon Studios’ I Know What You Did Last Summer is a Personal Reimagining of a Slasher Classic
The original I Know What You Did Last Summer remains one of the most beloved entries in the teen slasher boom of the late 1990s…
[Book Review] The Final Girl Support Group
Final girls hold deep meaning and significance for horror fans, and author Grady Hendrix shows an acute understanding of this with his latest offering…
[Film Review] The Maid (2021)
The Maid is an immensely satisfying, subgenre-blurring rollercoaster from start to finish…
[TV Review] Squid Game (2021)
The plot follows gambling addict and failed father Seong Gi-hun, who finds himself in a world of debt…
[Film Review] Superhost (2021)
Horror has always held a mirror up to the concerns and social anxieties of its time…
[Film Review] Bad Candy (2021)
Short bites, like the kinds you get in horror anthologies, are highly desired in the age of TikTok and Twitter…
[Film Review] Sacrilege (2021)
Four friends (of the “pretty young women” variety) take a few days break in the countryside. They don’t all get along brilliantly…
[Film Review] Welcome to the Blumhouse – Double Feature Bingo Hell & Black as Night (2021)
Following the success of last year’s Welcome to the Blumhouse, the collective is back with four brand new horror/thriller films…