[Editorial] Dead Ringers (2023) and Bodily Autonomy
What any good remake or reboot should do is present the original concept in a way that captures the central idea while integrating new ideas and adapting it to the current audience as well as newcomers to the source material. It should not just be with one talking point such as, casting a trending TikToker.
[Film Review] She Came From The Woods (2023)
Few subgenres of horror have become quite so entrenched in the cultural consciousness as the summer camp slasher — and with a new generation of filmmakers coming to the fore seeking to pay homage to Friday the 13th and other chilling classics, it’s having a bloody renaissance.
[Mother of Fears] A Certain Hunger in Onibaba (1964)
Set during the mid-fifteenth century, Onibaba (1964) tells the story of two women fighting for survival. Credited only as Older Woman and Younger Woman (or Kichi's Mother and Kichi's Wife) according to IMDB, the story is focussed on the lengths these women will go to survive a war, and yet they’re not even given names, unlike the male characters.
[Film Review] Mind Leech (2023)
Just when you thought ice fishing would be boring, Mind Leech finds a way to pass the time— not with beer or music —but with a parasitic mind-controlling invertebrate. Set in a small town, specifically in 1998, police officers are met with a new foe, an unnervingly large leech which of course was created by a poor mishandling of a toxic substance in the local lake.
[Film Review] Creepypasta (2023)
An unnamed man searches for clues as to his whereabouts and how to escape the house he is currently trapped in by trawling through web videos associated with creepypastas.
[Film Review] The Boogeyman (2023)
Audiences will recognise some names from the story but The Boogeyman (2023) takes the story further, darker and into the depths of fear.
[Film Review] Old Man (2022)
Directed by Lucky McKee, Old Man is an exploration of the effects on the mind due to self-imposed isolation both environmental and psychological.
[Editorial] 90s Horror Attitude, Music and Friendship
The 1990s is a divisive decade for horror fans. Some say it is the worst decade for horror films, whereas others included) see it as a very influential and distinctive time for the genre, particularly teenage slashers.
[Book Review] Nineteen Claws And A Black Bird (2020)
Nineteen Claws And A Black Bird packs in plenty of sublime and disturbing short stories across its collection.
[Editorial] The Terrible Place: Visiting and Revisiting Hollywood in Horror
In recent years since the inception of the #MeToo movement, we have seen a turn towards discussing the abuses rife in the Hollywood system and the wider media landscape.
[Film Review] Wolf Garden (2023)
Wolf Garden sees William hiding out in a remote and isolated country house, his psyche beginning to crumble as he struggles to contain the terrible secret hidden in the garden shed.
[Editorial] Top 15 Aliens in Sci-Fi & Horror Films
Strap in folks, because the aliens have landed and they’re here to probe, eviscerate, procreate, and replace…
[Film Review] Cherry Tree (2015)
Cherry Tree (2015) tells the story of Faith, a girl whose father is dying of cancer. Desperate to save him, she makes a pact with a coven of witches, led by her hockey teacher Sissy, who need blood sacrifices to nourish the cursed roots of the eponymous cherry tree.
[Film Review] Invitation Only (2009)
Invitation Only is a testament to the fact that you can really grow in your career and how trends in Horror can influence someone’s style.
[Film Review] The Resurrection of Charles Manson (2023)
When a couple takes a last minute mini vacation into the desert to work on an audition tape for a film about cult leader Charles Manson, they soon realise the script’s content is beginning to reflect their reality.
[Mother of Fears] Be Very Afraid of Motherhood in The Fly (1986)
For journalist Veronica Quaife her life changes direction one night in a massive way while attending a Bartok Science Industries party. She’s there to cover the event for Particle magazine, and has a few interviews scheduled with scientists who all think they’ve discovered something which will change the world.
[Film Review] Influencer (2023)
Blending slick satire with sympathetic nuances rarely seen in films about the rich and famous, Influencer (2023) is a razor-sharp critique of online celebrity and its falsity.
[Film Review] Blades in the Darkness (2022)
Blades in the Darkness is set in present-day Albania with flashbacks to a formative and brutal period in the country's history as it transitioned away from communism in the 1990s
[Editorial] The Disrupt Symbology of Lamb (2021)
A24’s folkloric horror productions have been one of the most drawing narrative and cinematic styles within the past decade.
[Editorial] Eden Lake (2008): How a Film’s Potential is Destroyed by Bias
I often ponder if the reason we as fans of this much maligned genre watch so many films that fall within the scope of this genre is due to us being protective of it, or because we are searching for the hit which we felt on our very first time watching a film that got under our skin?