[Film Review] A Wounded Fawn (2022)
A Wounded Fawn (Travis Stevens, 2022) celebrates both art history and female rage in this surreal take on the slasher genre.
[Editorial] Interview with Bishal Dutta, Writer and Director of It Lives Inside (2023)
With It Lives Inside, writer and director Bishal Dutta created a horror film that is as moving as it is terrifying. Ghouls Magazine was able to sit down with the award-winning filmmaker to discuss the inspirations behind the movie.
[Film Review] Perpetrator (2023)
Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
[Film Review] Mercy Falls (2023)
Filmed on location in Scotland, Ryan Hendrick's new thriller Mercy Falls (2023) uses soaring views of the Scottish Highlands to show that the natural world can either provide shelter or be used as a demented playground for people to hurt each other.
[Film Review] Somewhere Quiet (2023)
After watching the psychological thriller Somewhere Quiet (2023), viewers will need hours (or days) to decompress.
[Film Review] It Lives Inside (2023)
It Lives Inside, written and directed by Bishal Dutta, won the 2023 Midnighters Audience Award Winner at SXSW – and with good reason.
[Book Review] Penance (2023) by Eliza Clark
Penance is Eliza Clark’s eagerly awaited second novel following her debut Boy Parts, which found much love and notoriety in online reading circles.
[Film Review] Homebodies (1974)
Writer/director Larry Yust challenges these stereotypes in his 1974 comedy horror Homebodies in which a group of elderly neighbours are on the verge of being evicted from their homes.
[Editorial] 9 Best Slashers Released Within 10 Years of Scream (1996)
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
[Film Review] The Nun 2 (2023)
This year marks ten years since the release of James Wan’s The Conjuring, the story of real life paranormal investigators/well-meaning kooks/dangerous frauds (delete as applicable) Ed and Lorraine Warren.
[Film Review] The Puppet Asylum (2023)
It would be incredibly unfair to review the documentary Otto Baxter: Not a F***ing Horror Story without also looking at the short horror created by the titular man himself, The Puppet Asylum.
[Film Review] FrightFest: Farang (2023)
Farang (2023) is the latest feature film by French director Xavier Gens, and it had its UK premier at FrightFest, debuting on Saturday 26th August in the main screen.
[Mother of Fears] Mother Vs. Monster in Silent Hill (2006)
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
[Game Review] First Look Preview: Cabernet (2024)
True within the video gaming world as it is within the film industry, horror is a genre that frequently houses some of the most uniquely interesting and successful projects being produced by smaller studios and creators.
[Film Review] FrightFest: The Ghost Station (2023)
Based on the legendary Korean webtoon Oksu Station Ghost by author Horang, Jeong Yong-ki’s The Ghost Station made its UK premiere at FrightFest to a crowd keen for some fresh and terrifying Asian horror.
[Documentary Review] Otto Baxter: Not A F***ing Horror Story (2023)
Otto Baxter: Not a F***ing Horror Story is a beautifully constructed documentary that is real, honest and brutal about the world’s perceptions of people with Down’s Syndrome, through the eyes of someone who has it, whilst maintaining a comic undertone of wholesome affection.
[Film Review] Children of the Corn (2020)
Movie adaptations have followed Stephen King’s work since the very beginning of his illustrious career, with Brian de Palma’s Carrie being released two years after the publication of the book of the same name, King’s first.
[Documentary Review] FrightFest: The J-Horror Virus (2023)
Why is Japanese horror so scary? What is the ‘J-horror boom’? Is The Ring the first J-horror film? What makes J-horror a distinct cinematic movement outside of the broader ‘Japanese horror’ umbrella?
[Film Review] Herd (2023)
This film keeps audiences guessing where it will lead them next, with subtle and nuanced changes in the narrative that will surprise even the most zombie-literate to a degree.
[Film Review] We Might Hurt Each Other (2022)
The Lithuanian slasher film We Might Hurt Each Other (also known as Pensive) deftly combines folklore, horror and the navigation of a high school social system to create a thrilling and thought-provoking movie.