[Editorial] The 9 Best New York City Horror Movies
Ghouls Magazine looks back at iconic horror films that will put you in a New York state of mind.
[Film Review] After She Died (2022)
After She Died joins the recently graduated Jen (Liliana Ritchie) as she tries to traverse the grief felt in the wake of her mother’s death.
[Editorial] 9 Modern Horror Characters Who Deserved Better
Whether it's taking one for the team to distract the killers, being used as leverage, or making a noble self-sacrifice - it's often the case that the nicest of the nice guys do, in fact, finish last.
[Film Review] Project Wolf Hunting (2022)
What do you get when you pair a Con-Air-esque South Korean action thriller with a sci-fi horror that reminds you of Resident Evil mixed with Universal Soldiers?
[Film Review] The Outwaters (2022)
The Outwaters, the disturbing feature debut from Robbie Banfitch, with its Mojave setting of glaring sun and blood-stained sand is stylistically worlds apart from the — very real, very tragic — incident.
[Film Review] Daughter (2022)
After having its world premiere at FrightFest 2022, taut thriller Daughter has now been released to rent or own digitally for the UK and Ireland.
[Film Review] Torn Hearts (2022)
Torn Hearts (2022) warns what may happen if you meet your heroes. Director Brea Grant’s new film follows a band called Torn Hearts, a two-woman contemporary country music act in Nashville, Tennessee.
[Film Review] Peppergrass (2021)
In a mid-Covid world, it was only a matter of time before the pandemic became a factor in film…
[Film Review] Prisoners of the Ghostland (2021)
If there’s one thing you need to know about me before you read the rest of this review, it is that I LOVE Nicolas Cage…
[Film Review] Spencer (2021)
But very soon, through Pablo Larrain’s direction and Jonny Greenwood’s score, it’s evident that this isn’t your run of the mill ‘Diana’ film…
[Film Review] Yakuza Princess (2021)
Yakuza Princess (2021), directed by Vincente Amorim, is the story of a young woman named Akemi (played by MASUMI) trying to balance…
[Film Review] Mosquito State (2020)
In the tradition of providing social commentary through horror cinema, director Filip Jan Rymsza tackles Wall Street and the U.S. financial crisis of 2008 through body horror and aural assault in the upcoming Shudder release Mosquito State…
[Film Review] Midnight in the Switchgrass (2021)
While ghost stories, possessions, and acts of supernatural wrath might dominate the horror genre, there’s something especially chilling about films…
[Film Review] A Perfect Enemy (2021)
Through gorgeous opening credits and a soaring score, Kiki Maíllo’s darkly compelling psychodrama A Perfect Enemy delves into the personal cost of the desire for perfection…
[Film Review] The Offering (2020)
The Offering is a beautifully intimate portrait of regret, exploring the impact that one person can have on the rest of your life…
[Film Review] Alone (2020)
Jessica (Jules Willcox) is a grieving widow moving hundreds of miles across the Pacific Northwest to escape painful memories…
[Film Review] Black Medicine (2021)
If what you need in your life is a story about mother/daughter relationships hinging on guilt and sacrifice, I’ve got the film for you…
[Film Review] Plurality (2021)
Plurality is an ambitious mix of crime thriller, near-future sci-fi and psychological horror…
[Film Review] White Demise (2020)
While many horror directors are able to use religious motifs or supernatural forces to explain away evil, plots that incorporate gun violence rely solely on the abstract cruelty of human nature…
[Film Review] The Retreat (2021) Enacts Gruesome Queer Catharsis
Every time there’s a horror movie about city slickers who take an ill-fated trip to the countryside, there has to be fucked-up deer imagery…