[TV Review] Behind The Monsters (2021)
Just like the infamous medical scientist Victor Frankenstein from Mary Shelley’s gothic classic Frankenstein, or The Modern Prometheus, the creators behind the villains of horror cinema played god and gave birth to creatures and monsters that went on to gain such notoriety and infamy that they then became household names the world over.
The new Shudder series Behind The Monsters is an in depth examination of how some of the most famous horror antagonists were created and grew up to become the stuff of nightmares.
Having watched numerous documentaries on the subject of horror, it’s indeed extremely refreshing for a documentary series to feature interviews with a diverse spectrum of people. Ranging from horror fans, actors, podcasters, industry insiders and experts in the field of terror, the wrap-around opinion footage is fascinating as the audience are made privy to how each monster or villain has affected the lives of fans and their enjoyment of the horror genre.
Then of course, the veil is lifted as viewers are shown into “Frankenstein’s lab” and the creators behind both the original character concept and the physical design and effects lay bare all of the secrets behind some of horror’s greatest monsters. Beginning with Michael Myers from horror juggernaut Halloween (1978) directed by John Carpenter. Viewers are treated to a demonstration of how the original mask was created from the likeness of William Shatner, providing a testimony as to how effective creations do not need a large budget behind them. The standout episode is the second installment of Behind the Monsters: Candyman (1992) and how the concept from the Clive Barker short story The Forbidden became a cultural phenomenon, causing audiences to be petrified of standing in front of their bathroom mirror. With a contribution from the original actor behind Candyman, Tony Todd, it soon becomes apparent that the character was a collective effort and would not be the legend he is today without the input of Todd.
Behind The Monsters is a complete delight for horror movie enthusiasts and casual watchers alike. The episodes do not linger too long on minute technological details or involve lengthy interviews with the usual participants, but instead contain just enough detail to quench any sort of interest in horror movie character design, thus becoming an important source for anyone enticed by this facet of cinema. To quote acclaimed horror literary author Stephen King’s classic novel The Shining: “Sometimes human places create inhuman monsters.". This is the complete premise of Shudder’s Behind The Monsters. The monsters, murderers and villains that lurk and stalk our most terrifying and spine-chilling nightmares are born from entirely human minds and hands.
When people think of horror films, slashers are often the first thing that comes to mind. The sub-genres also spawned a wealth of horror icons: Freddy, Jason, Michael, Chucky - characters so recognisable we’re on first name terms with them. In many ways the slasher distills the genre down to some of its fundamental parts - fear, violence and murder.
Throughout September we were looking at slasher films, and therefore we decided to cover a slasher film that could be considered as an underrated gem in the horror genre. And the perfect film for this was Franck Khalfoun’s 2012 remake of MANIAC.
In the late seventies and early eighties, one man was considered the curator of all things gore in America. During the lovingly named splatter decade, Tom Savini worked on masterpieces of blood and viscera like Dawn of the Dead (1978), a film which gained the attention of hopeful director William Lustig, a man only known for making pornography before his step into horror.
Looking for some different slasher film recommendations? Then look no fruther as Ariel Powers-Schaub has 13 non-typical slasher horror films for you to watch.
Even though they are not to my personal liking, there is no denying that slasher films have been an important basis for the horror genre, and helped to build the foundations for other sub-genres throughout the years.
But some of the most terrifying horrors are those that take place entirely under the skin, where the mind is the location of the fear. Psychological horror has the power to unsettle by calling into question the basis of the self - one's own brain.
On Saturday, 17th June 2023, I sat down with two friends to watch The Human Centipede (First Sequence) (2009) and The Human Centipede 2 (Full Sequence) (2012). I was nervous to be grossed out (I can’t really handle the idea of eating shit) but excited to cross these two films off my list.
Many of the most effective horror films involve blurring the lines between waking life and a nightmare. When women in horror are emotionally and psychologically manipulated – whether by other people or more malicious supernatural forces – viewers are pulled into their inner worlds, often left with a chilling unease and the question of where reality ends and the horror begins.
Body horror is one of the fundamental pillars of the horror genre and crops up in some form or another in a huge variety of works. There's straightforward gore - the inherent horror of seeing the body mutilated, and also more nuanced fears.
In the sweaty summer of 1989, emerging like a monochrome migraine from the encroaching shadow of Japan’s economic crash, Shin’ya Tsukamoto’s Tetsuo: The Iron Man shocked and disgusted the (very few) audiences originally in attendance.
Whether it's the havoc wreaked on the human body during pregnancy, emotional turmoil producing tiny murderous humans or simply a body turning on its owner, body horror films tend to be shocking. But while they're full of grotesque imagery, they're also full of thoughtful premises and commentary, especially when it comes to women, trauma, and power.
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