[Film Review] Fear Street Part Three: 1666 (2021)
Spoiler warning: Mild spoilers for Fear Street Part Three: 1666 (2021)
Fear Street Part Three: 1666 (2021) is the last part of the epic Fear Street story, and it had a tall order ahead of it as we looked to find out what happened in 1666, as well as see a conclusion to the 1994 story. And I have to tell you, it did not disappoint. It’s so hard to talk about this film without diving into spoiler territory, but I will try to only touch on the essentials.
We’re back in 1666 along with Deena (Kiana Madeira), who finds herself inhabiting the body of Sarah Fier. Other residents of the colony are made up of actors we’ve seen in the previous two instalments, playing new characters, many of which have questionable Irish-adjacent accents.
Sarah doesn’t seem particularly witchy at this point, but a late-night rendezvous with Hannah (Olivia Scott Welch) puts her at the mercy of the town’s gossip. This is especially bad news when things start going wrong, such as the town’s well being poisoned and all the food rotting. We’re soon acquainted with the first of the Shadyside killers in the form of the Pastor, who takes the eyes of a group of the town’s children, before being killed himself by Solomon Goode (Ashley Zuckerman).
Sarah and Hannah are swiftly judged as witches, mainly thanks to the testimony of Caleb (Jeremy Ford), after he was rejected by Hanah and embarrassed by Sarah. This really goes to show that a humiliated man with a boner is more dangerous than most things. The rest of the town soon jump on the witch hunt train, and both girls are marked to be hanged.
Of course, the audience knows Sarah’s fate is to be strung up from the hanging tree minus one of her hands, but it turns out we don’t know the full story. Sarah is betrayed by one of the people she trusts the most, sacrifices herself for the person she loves the most, and proves she’s a little witchy after all before she takes her last breath.
Back in 1994, Deena now knows the truth about why Shadyside seems to be living under a curse, and with the help of Josh (Benjamin Flores Jr.), Ziggy (Sadie Sink), and Martin (Darrell Britt-Gibson), she’s determined to out the real bad guy and break the curse once and for all.
The 1666 section of the movie was definitely missing the needle drops this film series has become famous for. However, back in 1994 we’re welcomed back with a booby trap montage set to Come Out and Play by The Offspring. The first section is a standard, gloomy folk horror, so this scene is a welcome return to the entertaining slasher side of things and brings the film back into fun territory, getting us excited for what comes next.
Thankfully, we’re treated to a finale that is worthy of a film series about lots of different serial killers, as we get to see most of them close up for one final fight scene. Once again, I can only commend the monster design in these movies, as they’re all incredibly creepy and unique.
Fear Street Part Three: 1666 does pretty much exactly everything I wanted it to in order to wrap up this series successfully. It ties up any loose ends that were left hanging from the first two movies but still has enough surprises in store to keep you locked into the story. Also, even though all three movies are roughly the same runtime, this is the only entry that I didn’t feel dragging in places. There’s so much going on between 1666 and 1994, the time flies by, and I’m glad there wasn’t a second for my mind to wander during the conclusion to our story.
Overall, the Fear Street trilogy hits on so many themes that really stand out to me in horror that I can see them all becoming firm favourites. Deena and Sam’s love story is placed front and centre, but it’s never played off as a gimmick. In fact, their love story transcends generations, albeit through different characters. Instead, the story focuses on the pressure and judgement placed on them from the outside, which is obviously slightly more extreme in 1666. The two women do anything they can to stay together, and this proves a strong connection point between Sarah and Deena.
I also love a story that shows women coming back from the grave to get their revenge and reclaiming the power from the other side that they were never able to fully use in life. Sarah Fier isn’t your standard vengeful witch, but instead, she’s something far more complicated and powerful.
Finally, Fear Street Part Three: 1666 dives into the ways women are betrayed by those around them, and those who claim to love them. Same shit, different century, right? In the end, Deena, Ziggy, and even Sarah Fier herself have to band together to take down those who have wronged them and get the justice that everyone involved deserves.
Fear Street Part Three: 1666 is the perfect ending to this trilogy, and while I secretly had hopes that reversing the curse might undo the deaths of some characters, it wasn’t to be. However, the ending we got was amazing. It’s a happy ending, with all our questions answered, and a little sting at the end which hints we might not be quite done with Fear Street just yet. It also gave us lots more Pixies songs!
RELATED ARTICLES
When V/H/S first hit our screens in 2012, nobody could have foreseen that 11 years later we’d be on our sixth instalment (excluding the two spinoffs) of the series.
When someone is in a toxic relationship, it can affect more than just their heart and mind. Their bodies can weaken or change due to the continued stress and unhappiness that comes from the toxicity.
If you can’t count on your best friend to check your teeth and hands and stand vigil with you all night to make sure you don’t wolf out, who can you count on? And so begins our story on anything but an ordinary night in 1993…
The best thing about urban legends is the delicious thrill of the forbidden. Don’t say “Bloody Mary” in the mirror three times in a dark room unless you’re brave enough to summon her. Don’t flash your headlights at a car unless you want to have them drive you to your death.
A Wounded Fawn (Travis Stevens, 2022) celebrates both art history and female rage in this surreal take on the slasher genre.
Perpetrator opens with a girl walking alone in the dark. Her hair is long and loose just begging to be yanked back and her bright clothes—a blood red coat, in fact—is a literal matador’s cape for anything that lies beyond the beam of her phone screen.
Filmed on location in Scotland, Ryan Hendrick's new thriller Mercy Falls (2023) uses soaring views of the Scottish Highlands to show that the natural world can either provide shelter or be used as a demented playground for people to hurt each other.
EXPLORE
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.
If you know me at all, you know that I love, as many people do, the work of Nic Cage. Live by the Cage, die by the Cage. So, when the opportunity to review this came up, I jumped at it.