[Editorial] Margaret Robinson: Hammer’s Puppeteer
Filmdom’s conventional wisdom in the mid-20th Century decreed that horror was no place for a lady. That is, unless it was as a shrieking victim dressed in a bosom-baring, diaphanous nightie…
[Editorial] Unravelling Mitzi Peirone’s Braid (2018)
Everyone must play, no outsiders allowed, nobody leaves.
[Editorial] American Psycho (2000)
Mary Harron’s American Psycho has had a strange and convoluted path to its current position as a lauded part of the American horror canon…
[Editorial] Horror Meets Noir in Ida Lapino’s The Hitch-Hiker (1953)
A ground-breaking force in the world of cinema, Ida Lapino is an early example of an innovative and creative woman who broke through boundaries time and time again.
[Editorial] The Invitation - Grief, Guilt And Manipulation in Karyn Kusama’s Cult Horror
Karyn Kusama’s The Invitation (2015) is renowned as an excruciating slow burn…
[Editorial] An Introduction to ‘Ladies Night’ Column
Contributor Becky Darke introduces the ‘Ladies Night’ column…