[Editorial] An Introduction to ‘Ladies Night’ Column

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Welcome to Ladies Night, a monthly exploration of horror directed by women. 

When I was considering what I'd like to contribute to Ghouls Magazine as a columnist, I wanted to find something that would play to my passions and let me focus on a specific area while still providing the opportunity to cover a variety of subgenres, decades and filmmakers. It didn't take too much noodling to realise that the obvious thing would be to choose a different female-created horror film for each monthly piece, and delve into themes across classics by directors like Mary Lambert and Amy Holden Jones, modern masterpieces by the likes of Jennifer Kent and Karyn Kusama, and female-fronted releases from newer voices in the genre like Prano Bailey-Bond and Nia DaCosta. So Ladies Night was born.

 Ever the list-lover, I spent a magical evening putting together my Letterboxd list of horror directed by women, and realising that I'm going to have no shortage of material for my column; sometimes it can feel like female-directed films are few and far between but there are so so many. My hope for this column is to shine a spotlight on the directing talent and amazing output of these women in horror. Putting together the list also highlighted that while I've seen a good number, there are a lot of female-directed horrors that I'm yet to watch, and I can't wait to discover some new favourites. I'm also excited to expand my knowledge of and celebrate films by trans women and non-binary film makers.

 From Velvet Vampires to Love Witches via Blood Diners and Devil’s Doorways, I'll brave the fantastic and multifaceted world of horror films lucky enough to have a woman in the director’s chair - if I can survive a Slumber Party Massacre or three. It’s an exclusive club, so be sure you’re on the list for Ladies Night.

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[Editorial] Clarice Starling in The Silence of the Lambs (1991)

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[Film Review] Censor (2021)