[Editorial] A New Wave of Horror Stories in Pop Music - Part 1
From Billie Eilish to Kim Petras to CHVRCHES, all of these iconic female pop stars are weaving horror throughout their music & aesthetics to tell their stories…
[Film Review] The Deep House (2021)
In all of the best haunted house movies, the house itself has just as much of a presence and character as the spirits that call it home…
[Film Review] When The Screaming Starts (2021)
An investigative journalist and documentary filmmaker are invited to shadow a young man with ambitions to become the next infamous serial killer…
[TV Review] Texas Chainsaw Massacre - The Shocking Truth (2000)
In 2000, David Gregory wrote and directed this documentary, which looks at the creation of the cult classic slasher movie in detail…
[Film Review] Broadcast Signal Intrusion (2021)
James searches for answers about his wife who went missing a few years ago in 90s Chicago…
[Film Review] The Medium (2021)
I can’t resist a faux documentary horror. I freely admit that. Ghostwatch, Behind the Mask:The Rise of Leslie Vernon, Savageland…
[Film Review] Shepherd (2021)
Shepherd leaves the audience with a bitter taste in their mouth, wondering whether they were ever meant to empathise with Tom Hughes…
[Film Review] Death Drop Gorgeous (2020)
The concept of camp has a long and storied past within the horror genre, and especially in the slasher…
[Film Review] Woe (2021)
Woe (2021) is a slow-burning thriller about two grief-stricken siblings. After the death of a beloved family member, each sibling processes grief in differing ways…
[Film Review] Celluloid Screams Festival: We Need To Do Something (2021)
We Need to Do Something (2021) takes place in a huge bathroom, where a family of four wait out a tornado….
[Film Review] Possession (1981)
Possession is a film that demands the presence of a mass audience, chowing down on popcorn and taking in the chaos.
[Editorial] Disability and Horror: Paul Dood’s Deadly Lunch Break (2021)
Thirty-one years ago, the Americans with Disabilities Act (ADA) was passed, in the hopes that by enforcing certain standards in business….
[Editorial] Interview with Demigod (2021) Writer and Director Miles Doleac
Demigod is a new film from Miles Doleac, about a terrifying secret awaiting a woman when she returns to her birthplace in Germany with her husband…
[Film Review] Caveat (2020)
Caveat, a promisingly rank piece of headfuckery from Irish director Damian McCarthy…
[Film Review] Last Night in Soho (2021)
Last Night in SoHo doesn’t feel bold enough to deliver on its more scathing commentary, delivering on cultivated cinematic moments that make it a diverting, if relatively empty vessel…
[Film Review] Antlers (2021)
The pandemic has led to a lot of movies getting pushed from their original cinematic release, and alongside A Quiet Place Part II (2021) and Halloween Kills (2021)…
[Film Review] Welcome to the Blumhouse: Double Feature The Manor & Madres (2021)
The second double feature release from Amazon Studios and Welcome to the Blumhouse tackles eugenics, ghosts, cool viney demons, and old age with a glossy sheen and few scares…
[Film Review] Ban This Sick Filth Presents: Moral Outrage Demonlover (2002)
For whatever reason, erotic thrillers seem to have largely gone the way of the dinosaurs since their popularity in the early 90s…
[Film Review] Escape The Undertaker (2021)
Halloween is a great time for a haunted house adventure, full of swirling fog, creepy basements and secret passageways…
[Film Review] Halloween Kills (2021)
The long-awaited Halloween Kills is finally here. Postponed a full year due to Covid, David Gordon Green’s newest installment…