[Editorial] Interview with director George Louis Bartlett on Demon (2021)
Demon is a beautifully shot black & white film about Ralph who aims to escape his demons but comes face to face with them instead. Aspen Esquivel caught up with director George Louis Bartlett to discuss the film.
RELATED ARTICLES
Pitch those tents and grab your camcorders for a discussion all about found footage horror film - The Blair Witch Project (1999)! This panel discussion was recorded live at the Ghouls Magazine monthly horror film club at True Romance in Camden, London.
Let's get groovy baby and talk about a classic cult horror film - The Evil Dead (1981)! This panel discussion was recorded live at the Ghouls Magazine monthly horror film club at True Romance in Camden, London.
Editor-in-Chief, Zoë Rose Smith, is joined by a very special guest which is her brother Zak Smith! They discuss one of their favourite animated horror series with the Treehouse of Horror Halloween specials from beloved family cartoon The Simpsons.
Do you want to know what horror films inspire the Ghouls Magazine writers? Or perhaps how they first got into writing about horror? Have a watch of this discussion!
We caught up with co-writer Alessandra all about the latest ghoulish and spooky way to indulge in the culinary in A Gothic Cookbook…
We caught up with director Rob Jabbaz to talk all about his shocking splatter Taiwanese horror film The Sadness…
We caught up with director Alex Noyer to talk all about his sensory horror film Sound of Violence…
Introducing our fantastic writer, Ygraine, who talks about how she bonded with friends over The Exorcist and her love for religious horror…
Introducing our fantastic writer, Amber T, who talks about the classic horror that got her into the genre and her love of J-Horror….
Introducing our wonderful writer, Hannah Ogilvie, who talks about the zombie sub-genre and how her parents got her into horror…
GHOULS GANG CONTENT
EXPLORE
Finding the perfect match is a hellscape in today's modern dating world. Let alone finding the perfect partner and the perfect parent for your future child, which almost feels as though we need to jump through hoops and put ourselves through endless games that, for the most part, lead us to nowhere.
In German Gore Master, Olaf Ittenbach's, Garden of Love (2003), Rebecca (Natacza Boon) is a grown woman with a mysterious past. Something horrible happened in her childhood, and the ghosts of her dead family are pleading with her to solve the mystery. This film drags the viewer on a bloody journey to uncover the secrets of Rebecca’s tragedy.
Sometimes the best horror happens in the space where reality and dreams (or nightmares) mesh. Slipstream, which is a term used more often in literature than in film, describes a story that has this dreamy, surreal quality.
The history of the zombie sub-genre is one of deep thematic potential. Whilst sometimes it’s undoubtedly fun to enjoy a good headshot or effective practical makeup effects, the best zombie movies are the ones that say something.
Following his decades working in film preservation, Joshua Erkman stepped behind the camera in his 2024 directorial debut, A Desert – a viciously bleak exploration of fading optimism in the US, urban paranoia, and decay set in a nightmarish world that is almost too much to look at.
There is a special place in many horror fan’s hearts for animal attack films, something that truly digs deep into that evolutionary terror that we are not the apex predator in most situations. Primate (2026) delves into this fear with an enthusiasm that knows no bounds.
The life of a Silent Hill fan is a turbulent one. For every Silent Hill 3, there’s a Silent Hill: Homecoming. For every Silent Hill 2 Remake, there’s a Silent Hill: Ascension. For every Silent Hill f, there’s a Return to Silent Hill, and thus, the pendulum continues to swing, this time into frustrating - but expected - disappointment.
What if evolution wasn’t finished with us? That’s the question at the heart of Flights of Reverie (2025), the feature debut of director Li Wallis. The film sees British ornithologist Jack Hastings (John Dooley) travel to Berlin, which has been gripped by paranoia following several mysterious deaths.
Confessions in Static is an exploration of the True Crime genre, and its ethics and effects on society, but it fails to deliver that message in a satisfying or novel way.
Overall, Stalker is a pretty solid short film with some very tense moments and an excellent performance from its lead actress. It’s not perfect, and some of the deeper stuff went over my head, but I’m glad I watched it. I think it’ll stick with me for a while, even if I’m still not sure what it all meant.
MORE ARTICLES
Read All Aspen’s Articles
