[Event Review] Popcorn Frights Film Festival: Presence (2022)
This year, Popcorn Frights Film Festival features Christian Schultz’s Presence (2022), a methodical and spooky character study about trust and friendship.
Jen (Jenna Lyng Adams) and Sam (Alexandria DeBerry) are best friends who moved to New York City to pursue their dreams. Jen has a patent on a kind of zipper, and Sam planned to help her sell it. Their business hasn’t been going well though, and Jen is experiencing some mental health problems, including panic attacks. Sam sends Jen away to get some help and take some rest, but it doesn’t seem to be helping. Jen is as miserable as ever, and worse still, she hasn't heard from Sam in weeks. Her ex-boyfriend, Keaton, shows up and makes trouble, getting into a bar fight and crashing at her place. Jen is not feeling happy or stable, and she keeps seeing a figure out of the corner of her eye.
Then suddenly, she hears from Sam, who met a “super successful guy” (David, played by Dave Davis) who wants to sign a contract with them, after sailing on his yacht to Puerto Rico. Sam sends a car to get Jen, and they are off on a multi-day, international waters sea voyage with a practical stranger. Jen’s problems intensify on the boat, she is losing Sam’s support, and she has nowhere to turn for help.
HAVE YOU LISTENED TO OUR PODCAST YET?
Because horror films have been using the framing device of “is this paranormal or is this mental illness” for years at this point, it’s refreshing when a film puts a new spin on it. Presence does not feel like a copycat of films that may have similar descriptions. It’s a tightly contained story, since most of it takes place with three main characters on a ship. The audience is aligned with Jen, in her POV, through her experience of events, and also by being the most relatable and sympathetic character. Sometimes, Jen loses time, or can’t tell dreams from reality, and isn’t sure what’s been happening around her. The editing enhances her panic attacks and memory loss, and the audience is as unsure of what Jen has done as she is for most of the film. The presence she sees is frightening, and it becomes clearer as the film goes on. Just enough is shown to the audience, and enough is left to our imagination to fill in the blanks with our own fears.
The story is a mystery, to both Jen and the audience, and it takes its time to unfold. It keeps the viewer guessing and wondering who to trust and who to cheer for. Presence delivers scares and suspense throughout, and it pays off in the end.
RELATED ARTICLES
This recorded performance of Heathers: The Musical from London’s The Other Palace will show for one night only in cinemas on 28th March bringing the show back to the big screen and making for some Big Fun as an experience, but with some variations that might be jarring for hardcore fans of the original.
New sci-fi theatre show Lethe explores the harsh realities that could exist if memory erasure were to be a possibility in the modern world.
With the “Nightmare Fuel” shorts block, BHFF ramps up the fear factor, with intense shocks and visceral body horror.
In Brooklyn Horror Film Fest’s “Creeping Terror” block of shorts, the works are linked by a shared atmosphere of slow-burn dread.
Comedy and horror can be the perfect combination…
A surprise dog which your partner didn’t consult you on? It sounds frustrating, but it becomes scary in Ryan Valdez’s short film We Got a Dog (2022), screened at this year’s Popcorn Frights film festival.
Popcorn Frights film festival showcased Aristotelis Maragkos’s creative retelling of a familiar story in The Timekeepers of Eternity (2022).
Max Gold’s Belle (2202) was showcased at Popcorn Frights Film Festival and it’s a beautiful addition to a genre festival.
EXPLORE
Now it’s time for Soho’s main 2023 event, which is presented over two weekends: a live film festival at the Whirled Cinema in Brixton, London, and an online festival a week later. Both have very rich and varied programmes (with no overlap this year), with something for every horror fan.
In the six years since its release the Nintendo Switch has amassed an extensive catalogue of games, with everything from puzzle platformer games to cute farming sims to, uh, whatever Waifu Uncovered is.
A Quiet Place (2018) opens 89 days after a race of extremely sound-sensitive creatures show up on Earth, perhaps from an exterritorial source. If you make any noise, even the slightest sound, you’re likely to be pounced upon by these extremely strong and staggeringly fast creatures and suffer a brutal death.
If you like cults, sacrificial parties, and lesbian undertones then Mona Awad’s Bunny is the book for you. Samantha, a student at a prestigious art university, feels isolated from her cliquey classmates, ‘the bunnies’.
The slasher sub genre has always been huge in the world of horror, but after the ‘70s and ‘80s introduced classic characters like Freddy Krueger, Michael Myers, Leatherface, and Jason, it’s not harsh to say that the ‘90s was slightly lacking in the icon department.
Mother is God in the eyes of a child, and it seems God has abandoned the town of Silent Hill. Silent Hill is not a place you want to visit.
Being able to see into the future or back into the past is a superpower that a lot of us would like to have. And while it may seem cool, in horror movies it usually involves characters being sucked into terrifying situations as they try to save themselves or other people with the information they’ve gleaned in their visions.
Both the original Pet Sematary (1989) and its 2019 remake are stories about the way death and grief can affect people in different ways. And while the films centre on Louis Creed and his increasingly terrible decision-making process, there’s no doubt that the story wouldn’t pack the same punch or make the same sense without his wife, Rachel.