[Editorial] Hex The Patriarchy: 25 Years of The Craft Discussion at Soho Horror Festival
To celebrate 25 years since the release of witchcraft coming-of-age teen horror, THE CRAFT, we were invited to host a panel discussion at Soho Horror Film Festival…
[Editorial] I Don’t Want to be Here Anymore: Dealing with Emotional Abuse Through Colossal (2016)
You can never predict the movies that you’re going to connect with on a personal level. When I settled down to finally watch Colossal (2016)…
[Editorial] Top 5 Saw Horror Movie Traps Ranked
What trap do you love the most from the SAW horror movie franchise? Aspen Esquivel, ranks the top 5 traps within the torture porn series….
[Editorial] Interview with Yfke Van Berckelaer director of horror short Lili
Director of short horror film Lili, Yfke Van Berckelaer, talks to journalist Harriet Fletcher all about the film…
[Editorial] Alex Forrest Read Too Many 80s Fashion Magazines
Alex Forrest, played by Glenn Close in British director Adrian Lyne’s 1987 film Fatal Attraction, is one of the most famous female villains in movie history…
[Editorial] Shame, Fear, and Pain in The Poughkeepsie Tapes
Something about The Poughkeepsie Tapes called to me. I knew it was an intensely disturbing Found Footage film…
[Editorial] The Evolution of Sidney Prescott
When Scream (dir. Wes Craven) was released in 1996, it was a breath of fresh air for fans and critics alike in a sub-genre that had seen its heyday in the mid-1980s…
[Editorial] Reviving Freddy: A Critical Reassessment of Freddy’s Dead: The Final Nightmare PART 1
A Nightmare on Elm Street (1984) is one of my favourite horror films - I think about it, I write about it and I sometimes wish I was in it…
[Editorial] Raw: Abandoning Social Ideologies Through Embracing Female Eroticism
Despite the moral rejection of cannibalism amongst society, horror allows for such a graphic obscenity to be raw, ferocious, and ultimately seductive…
[Editorial] Make Your Choice: What Would Jigsaw Do?
“Only those who have looked death in the face can appreciate life.” This is what Jigsaw says, but does he walk his talk?
[Editorial] ‘You Didn’t Know I Exist!’: The Feminist Possibilities of Mausoleum (1983)
One afternoon, in the hazy sunlight of her psychiatrist’s office, a woman is hypnotized. She lays back on the oxblood chesterfield sofa…
[Editorial] Mothers In Horror
Since its inception, women have always had a role in the horror genre. Early on, they were screeching and fainting damsels in distress, evolving later to ‘Final Girls’…
[Editorial] And What of the Women of Snow Hollow?
Horror-comedy The Wolf of Snow Hollow (2020) reached top horror lists and received an 89 percent score on Rotten Tomatoes…
[Editorial] Sister, Sister: Is She Your Saviour or Your Downfall?
Horror movies often reflect the complicated dynamics that can arise when two sisters are together…
[Editorial] The Body as the Scene of the Crime: The Autopsy of Jane Doe and Reporting Sexual Assault
The Autopsy It’s both terrifying and rich with deep meaning and social commentary…
[Editorial] Gone Girls: Missing Women on Screen
The horror genre is full of active, complex female characters that drive narratives and become iconic figures…
[Editorial] Releasing the Cuffs: Trauma and Healing in Gerald’s Game (2017)
Cuffed to the bed and without the promise of help for miles around, Jess gradually realises that her husband is not coming back…
[Editorial] Buffy the Vampire Slayer: Father Figures, Feminism and My Formative Years
I’ve sat in front of my laptop countless times, wanting to write about the show that changed my life…
[Editorial] Do We Need More Female Killers On-Screen?
The question is less do we need more female killers on-screen, and more why the fuck do we need more male killers on-screen?!
[Editorial] Welcome To The World Of Horror
I’m tired of articles which list the “best of” a film genre, and only offer British or American titles which are usually modern, fairly big budget and widely known…