[Film Review] Meatball Machine (2005)
Meatball Machine pushes the limits of splatter in this grotesque science fiction romp…
[Film Review] The Banishing (2020)
Set in the late 1930s, The Banishing centers around what is said to be the most haunted house in England…
[Book Review] Women Make Horror (2020)
Women Make Horror would make an invaluable reference tool for anyone writing about or creating horror…
[Editorial] Pour Me Another! A 5 Horror Film Pub Crawl
Ready for a pub crawl? Here are five horror movies to get you in the mood for a nice cold pint…
[Film Review] Willy’s Wonderland (2021)
One man named The Janitor will “Nic Cage the fuck” all over animatronic Satan worshipping serial killers. This world is Willy’s Wonderland…
[Editorial] Interview with director Adam Stovall on A Ghost Waits (2020)
Ariel Baska chats to director Adam Stovall all about his horror comedy with a slice of romance, A Ghost Waits…
[Film Review] As Above, So Below (2014)
Not only does director John Erick Dowdle’s ambitious found footage film explore physical claustrophobia; it explores spiritual claustrophobia as well…
[Film Review] I Need You Dead! (2020)
Self-doubt and crippling imposter syndrome hits at any moment and the pain it brings can truly feel like death…
[Book Review] A Certain Hunger (2020)
It begins with a meal. And a murder. Not necessarily in that order. Chelsea G. Summers’s debut novel revitalizes the sophisticated cannibal through a feminist slant…
[Editorial] ‘RAW Panel Discussion’ hosted by Dani Bethea
Watch the panel discussion featuring critics and journalists on French cannibal horror film RAW by Julia Ducournau…
[Editorial] Interview with director Magalie de Genova on Endgame (2021)
Ariel Baska caught-up with director Magalie de Genova to discuss her horror film Stuffed…
[Editorials] A Look at The Woman (2011) 10 Years Later <Throwback Fridays>
10 years ago we were introduced to the Cleek family, a seemingly normal, all-American family…
[Film Review] Psychosexual (2021)
When looking at cinema through an experimental lens, it allows the audience to witness film in a slightly different way…
[Film Review] Demon (2021)
Through the lens of noir filmmaking Demon (2021) showcases a state of suffering that may or may never end…
[Editorial] Interview with director George Louis Bartlett on Demon (2021)
Join Aspen Esquivel chatting all things Demon (2021) with the director of the film George Louis Bartlett…
[Film Review] Honeydew (2020)
In a genre world where backwoods rednecks and flesh-eating Billy-Bob’s abound, Honeydew is a new and strange entry…
[Editorial] Interview with director Theo Rhys & co-writer Joss Holden-Rhea on Stuffed (2021)
Ariel Baska talks to director Theo Ryhs and Joss Holden-Rhea s all about the latest horror film Stuffed…
[Editorial] J-Horror Watchers Guide: 10 Films To Watch
Japanese horror, commonly known as J-Horror, doesn’t have the same presence in today’s media as much as it used to…
[Editorial] Interview with Violation (2021) directors Madeleine Sims-Fewer and Dusty Mancinelli
Directors Madeline Sims-Fewer and Dusty Mancinelli discuss their shocking & disturbing film Violation with Zoë Rose Smith…
[Editorial] The Woman Who Cried Wolf: Ambiguity of Revenge in Violation (2021)
Women across the globe have been screaming until their lungs collapse about the devastating experiences of sexual assault…